Posts Tagged ‘ Mary Lattimore ’

Meg Baird & Mary Lattimore: April 26, 2019 Union Pool

May 16, 2019
By

For years, Meg Baird and Mary Lattimore have charted adjacent zones both musical and geographical. Listening to their eventual meeting/melding last year on Ghost Forests, you wonder how a collaboration so obviously natural didn’t spring up sooner. Baird’s guitar/voice and Lattimore’s harp are the immediately recognizable components of the album, but combined they forge new pathways. The album is best when the two find some space to meander, like on album opener “Between Two Worlds” where the hook resists easy discovery.

Last month Baird and Lattimore brought their Ghost Forests to Union Pool for a couple nights and we caught the first. They play most of Ghost Forests, adding “Stairs Climb Up the Vine” from Baird’s Seasons on Earth and take on the Neil Young (by way of Emmylou Harris) song “Wrecking Ball.”

Download: [MP3/FLAC]

Meg Baird & Mary Lattimore
2019-04-26
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Terry) + MBHO KA500/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [53:32]
01. Between Two Worlds
02. In Cedars
03. Painter of Tygers
04. Damaged Sunset
05. Stars Climb Up the Vine
06. Fair Annie
07. Wrecking Ball [Neil Young]

Buy Ghost Forests from Three Lobed Recordings

Mary Lattimore and Dave Mies: February 7, 2016 Trans-Pecos

February 24, 2016
By

Mary Lattimore and Dave Mies

I might’ve had one of the quietest ever Super Bowl Sundays this year, having spent the afternoon at Trans-Pecos for a bill featuring a Matt Valentine solo set, another solo set from Samara Lubelski, and a duo set from experimental harpist Mary Lattimore and Dave Mies, one-half of Tall Firs. For a self-described “depressy guy,” Mies’s songs aren’t nearly the downers the lyrics might suggest. Instead, his overpowering-yet-delicate vocals and quietly strummed guitar produce songs that you feel you could wrap yourself in like blankets. Paired with Lattimore’s harp, the two instruments form a dialog that belies the isolation of the lyrics. Besides a cover of Townes Van Zandt’s “Nothin'” and the Tall Firs tune “Winter Wind” (off last year’s excellent Ghostlight Ensemble), the set is a batch of entirely new songs that will nonetheless sound pretty familiar if you’ve been following along with Tall Firs. One can only hope they’ll see release soon in some form, whether as a Tall Firs record or something else entirely. In the meantime, there’s still some winter left for you to get warm and depressy with this recording.

I recorded this set from the stage lip at Trans-Pecos, with the mics also picking up the vocals from the monitors. As usual for a quiet set like this there’s some ambient noise, but nothing too distracting. Overall the sound is excellent. Enjoy!

Mary Lattimore will be back at Trans-Pecos on March 4 for a record release show. All upcoming dates are here.

Stream and Download via Bandcamp:

Mary Lattimore and Dave Mies
2016-02-07
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK61 (stage lip) > Roland R-26 > WAV (24/48) > Adobe Audition CC (limiter, compression, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [26:09]
01. [Intro]
02. Not My Friend
03. 69
04. Nothin’ [Townes Van Zandt]
05. 55 Watts
06. Winter Wind
07. [banter]
08. Scratch
09. [banter/tuning]
10. I Give Up

Support Tall Firs: Facebook | Website | Buy Ghostlight Ensemble via Amazon

Support Mary Lattimore: Website | Buy Luciferin Light via Bandcamp | Buy Slant of Light (with Jeff Zeigler) via Thrill Jockey

Eugene Chadbourne-Steve Gunn-Mary Lattimore: September 11, 2015 WXDU/WXYC/WKNC Day Show, King’s (Raleigh, NC)

October 12, 2015
By

chadbournegunnlattimer-boles
[photo courtesy of Rodney Boles]

For their final act of their day show at King’s, Triangle college radio stations WXDU, WKNC and WXYC outdid themselves with a three-way-combo of stringed instrument experts. Legendary improvisational guitarist and banjo player Eugene Chadbourne, whose long list of collaborators runs the gamut from Camper Van Beethoven to John Zorn, was joined by New Yorker and longtime site favorite Steve Gunn and the renowned experimental harpist Mary Lattimore. Having never played together before, the three worked out their collaborative style in real time, which was a fascinating process to watch, and even more of one to hear. It was fascinating to watch Lattimore turn an instrument known for its delicacy into an aggressive, atonal element, with her slapping at its sides for percussive effect. Gunn and Chadbourne likewise built off of each other, with Chadbourne providing emphatic bursts of noise at points on the banjo. The piece flowed from delicate and restrained to harsh and intense minute-to-minute, holding your attention as you wondered where the trio would end up next, and reveling in the fact that they might not be quite sure, either. Chadbourne even added some vocals at the end, with lines referencing the traditional song “I Wish I Was A Mole In the Ground.” It’s safe to say that nothing else about this unique meeting was “traditional.”

I recorded this set in the same manner as the day’s other recordings, with a soundboard feed from King’s engineer Justin together with Schoeps MK4V microphones onstage. There is a bit of DI hiss on the quiet passages, but overall the sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Eugene Chadbourne, Steve Gunn & Mary Lattimore
WXDU/WKNC/WXYC Hopscotch Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage, roughly ORTF)>KC5>CMC6 + Soundboard (engineer: Justin)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Musicians:
Eugene Chadbourne – Banjo
Steve Gunn – Guitar
Mary Lattimore – Harp

Spacin’ & Purling Hiss: September 5, 2014 Hopscotch Music Festival, Tir na Nog, Raleigh, NC (FLAC/MP3/Streaming)

September 17, 2014
By


IMG_7703
[photos by acidjack]

Day two of the Hopscotch Music Festival was one filled with surprises. I started the day with the Three Lobed / WXDU Day Show and its many one-off collaborations, and ended with this last-minute collision between Philadelphia’s twin scuzz-rock juggernauts. Purling Hiss and Spacin‘ are the best kind of kindred spirits, both being offshoots of the band Birds of Maya. That, and each of them crank their amps to eleven and check any and all pretension at the door. The combined band played three of each others’ songs each, including Spacin’s classic cover of MC5’s “American Ruse”. The six songs stretched for a total of forty-five minutes, offering ample opportunities for guitar pyrotechnics from all. If minds hadn’t been blown enough already, the band was joined for the final number, Hiss’ “Almost Washed My Hair”, by Philadelphia harpist Mary Lattimore (fresh from her Three Lobed/WXDU collab with Thurston Moore) and Steve Gunn (similarly on deck after an epic performance with William Tyler and members of Yo La Tengo, which is posted here). If you doubt how a harpist can make her presence felt with four blaring guitars already on stage, well, you ought to get to know Lattimore, who added a layer of musical complexity to the roaring proceedings. If today was the day of collaborations, there couldn’t have been a better way to end it.

I recorded this set with a soundboard feed from Tir Na Nog engineer Brandon plus Audio Technica 3031 microphones back by the board. Unfortunately, my request to place the mics onstage was denied, meaning they were fairly far back in an echo-y room. As our recordings go on this site, the quality is not the best, but the vibe comes through loud and clear. As the band’s own albums hew to a “lo-fi” aesthetic, perhaps in some ways the recording is true to that. With that caveat, enjoy this exceptional performance!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Spacin’/Purling Hiss
2014-09-05
Hopscotch Music Festival
Tir na Nog
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
recorded and produced by acidjack

Audio Technica 3031 (at SBD, ROC)+Soundboard (engineer: Brandon)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, levels, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, fades, dither and downsample)>FLAC ( level 8 )

Tracks [Total Time 45:49]
01 Sunshine No Shoes [Spacin’]
02 Titchy [Spacin’]>American Ruse [MC5]
03 Learning Slowly [Purling Hiss]
04 Run From the City [Purling Hiss]
05 [tuning]
06 Almost Washed My Hair [Purling Hiss]*

* with Mary Lattimore on harp and Steve Gunn on guitar

If you enjoyed this recording, PLEASE SUPPORT these musicians. You can pick up Spacin’s records at their bandcamp page, and Purling Hiss’s records at their bandcamp page and their latest Weirdon over at Drag City.

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