Posts Tagged ‘ Hudson Valley ’

Sean Thompson’s Weird Ears: August 10, 2024 Deep In The Valley

December 2, 2024
By

Photo by Christopher Bruno

The NYCTaper coverage of the 2024 Deep in the Valley festival continues with Sean Thompson’s Weird Ears!

I’m going to be completely upfront about this: This was the set I was most looking forward to going into the event, simply because I’d been pestering Andy from Raven Sings The Blues for at least two years to get Sean Thompson to play Deep In The Valley.

Sean is a guitar player, songwriter, and generally good dude from Nashville. I’ll skip the background info; you can get all that on a recent episode of Good Friend of the Site J. M. Hart’s consistently excellent Brokedown Podcast. The critical thing to glean from the interview is that Sean is now actively writing and focusing his energy on the “Weird Ears” project. 

I was lucky to sit with several people who were unfamiliar with Sean’s work before this set. With “country music,” in whatever that means, having a bit of a moment in the larger psych/improv/jam scene, it’s easy to draw comparisons to more well-known names. In the moment, I attempted to sell it to the uninitiated as “similar to the name brand country-tinged jam folks but more authentic, weirder, and much more psychedelic.” To me, that translates to way more interesting, but that doesn’t do Sean’s work justice, and, to be fair, it was just lazy on my part. 

Luckily for Sean, he doesn’t need me to sell you on this; him and his band will do it on their own.  This excellent-sounding set features tracks from his superb Selt Titled 2022 album as well as some new jammers, including the latest single, “Ridin’ In The Van,” which has a brand new video (debuting today!) to go along with it:

Ridin’ In the Van

Pre order your copy of the new Weird Ears album “Head In The Sand” (out February 7) here. If he makes it back to the Hudson Valley for a proper full length set you can be sure I’ll be there!

I recorded this set with my MBHOs at the stage lip and a phenomenal soundboard feed from FOH engineer Daniel Stout.  Play it LOUD.

Download and stream from the Live Music Archive!

Sean Thompson’s Weird Ears
2024-08-10
Deep in The Valley Festival
From The Ground Brewery
Red Hook, NY

Source: MBHO 440 + SDB > MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Recorded and produced by kliked for nyctaper.com

Thanks to FOH engineer Daniel Stout for the board patch!

  1. Raspberry Pie
  2. New Trailway Boogie
  3. Before The Flowers Bloom
  4. Ridin In The Van
  5. Street People

Please support this excellent artist!
https://seanthompsonsweirdears.bandcamp.com/

Please support Raven Sings The Blues!
https://www.ravensingstheblues.com/

Photo by Christopher Bruno:
https://christopherbrunophotography.pixieset.com

Shannon Lay: June 28, 2024 Tubby’s

October 2, 2024
By

Shannon Lay’s new single “Mirrors” got a lot of play around my house this Spring.  It’s beautifully recorded and sounds like the sunlight that filters through the trees and lights up my kitchen while I cook. So it was a pretty sweet and timely surprise to see her coming to Tubby’s on a stacked triple bill with Anna St. Luis and Shana Fullana.

Shannon’s songs are so intricately crafted that it’s had to find a single point to dissect them.  Do you lead with the profoundly introspective lyrics or the mind-boggling finger-style guitar playing?  Or maybe you should focus on her tremendous vocal control? 

I will start with the guitar playing because I spent most of the night trying to understand it. Her technical command seemed effortless but was never overshadowed by the profoundly emotional resonance of her playing. Her playing came from a place of pure vulnerability, drawing listeners in with the raw intensity of her expression.

The set was drawn from her entire catalog and included the aforementioned “mirrors” and stellar covers by Elliott Smith and Karen Dalton. Every song felt like a highlight, but a particular moment felt most affirmative.  After a brief acknowledgment of Kingston’s parking woes (a local hot topic), she settled into “Come Together” off 2017’s “Living Water” and somehow, what started as a discussion of parking tickets turned into a moment where could collectively reflect on all of the outside pressures and ills. We could choose to ignore those stressors and move forward to positivity:

“We all have enough

Come on shake your broken shoulders

Come on move your broken shoes

Come together”

I’d like to give a special shout-out to the Tubby’s crowd on this particular evening. Generally speaking, recording solo acoustic singer-songwriters in a bar is an exercise in futility.  You can only do so much limiting, but everyone was incredibly respectful of the songs and performers, and you can hear that in the recording.  The quality is excellent, so please enjoy.

Download and stream from the live music archive!

Shannon Lay
2024-06-28
Tubby’s
Kingston, NY

Source: MBHO440 + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag
Recorded and produced by kliked for nyctaper.com

Thanks to Tubby’s FOH engineer Wil for the board patch

  1. A Thread to Find
  2. Sure
  3. Angeles*
  4. The moons detriment
  5. Recording 15
  6. Come Together
  7. Mirrors
  8. Coast
  9. Simpsons Interlude
  10. All this life goin down
  11. Rare to wake
  12. Awaken and Allow
  13. Something On Your Mind^

*Elliott Smith

^Karen Dalton

    Support this excellent artist!
    https://www.shannonlay.com/
    https://shannonlay.bandcamp.com/

    Support the venues bringing you interesting music!
    https://www.tubbyskingston.com/music-calendar

    75 Dollar Bill: September 30, 2023 Tubby’s Fifth Anniversary

    September 11, 2024
    By

    The NYCTaper coverage of the Tubby’s Fifth Anniversary continues with 75 Dollar Bill!

    On March 7, 2020 I went to Tubby’s to see 75 Dollar Bill.  I had contacted Che beforehand via email to ask permission to record, and he was gracious enough to approve. So for the duration of their two sets, I stood as still as possible (so as not to create phasing issues with the tiny mics clipped to my hat) and recorded what eventually became the “Live at Tubby’s” album.  I knew during the performance I was witnessing something special.  The feeling in the room was electric with everyone completely lost in the polyrhythms and endless white-hot solos being fired off from the band. It was easy, in the moment, to be oblivious to what was on the horizon.  

    In the coming days and months, that recording became something else completely. 75 Dollar Bill’s record “I Was Real” got good press, but the band couldn’t play to support it. Tubby’s, a new venue at the time, had just had its highest-profile show to date and now had to shut its doors. No one knew when things would return to normal.  The band released the recording as a “pay what you want” on one of the first “band camp Fridays.” Then, a label chose to press it to vinyl. Then Rolling Stone put it on its year-end list.  Suddenly, during a time when no one could go anywhere, a tiny venue in the Hudson Valley had a worldwide reputation. That recording became a reminder of what was and what could, hopefully, be again someday. Since that release, word has gotten out, and tons of excellent bands have come through, but it is safe to say that 75 Dollar Bill was the first “big” name associated with Tubby’s.  

    When Cory first mentioned that he was planning a large-scale celebration for Tubby’s fifth anniversary, 75 Dollar Bill’s inclusion seemed obvious.  The last set of the weekend to take place in the actual venue had to be them, and that’s precisely what happened.  The same lineup from that night in 2020, supplemented with three additional members, set up on the floor in the front room by the bar and took us on a journey.  

    The set opened with “Water in the Lock,” which should have been the first track on “Live at Tubby’s,” had I not missed the intro and started the recording halfway through. A run of “Tetuzi Akiyama” off the aforementioned “I Was Real” was next before the band jumped head-first into the meat of the set. First was a new composition titled “21,” in which the band stretched out to over 26 minutes of dense rhythms and solos. The night closed, just as it did in 2020, with a 20+ minute version of WZN#3 with Tim Barnes leading the charge on Maraca. 

    I recorded this set with the same little AT-853’s and Roland R-07 I used in 2020 blended with a soundboard feed from Tubby’s FOH team of Wil and Kyle.  The quality is excellent and full of life so enjoy it loud and be happy we can all celebrate music together in person again. 

    Download and stream from the live music archive.

    75 Dollar Bill
    2023-09-30
    Tubby’s
    Kingston, NY

    Source 1: SP-CMC-4U (AT853 cards, low sens mod) > SPSb-11 > R-07
    Source 2: SDB > MixPre 3
    Source 1 + Source 2 > Adobe CC (time align, EQ, compression) > Audacity (tracking, fades) > FLAC (lvl 8)
    Recorded and produced by kliked for nyctaper.com

    1. Intro
    2. Water in the Lock
    3. Tetuzi Akiyama
    4. 21
    5. WZN#3

    Thanks to Tubbys FOH engineers Wil for the patch and Kyle for the mix!
    This was part of Tubby’s 5 Year anniversary celebration.

    75 Dollar Bill Little Big Band:
    Rick Brown – Plywood crate, percussion
    Che Chen -Guitar
    Karen Waltuch – Viola
    Cheryl Kingan – Baritone Sax
    Steve Maing – Guitar
    Sue Garner – Bass
    Tim Barnes – Maraca
    Talice Lee – violin
    Barry Weisblat – cowbell, maraca
    Jim Pugliese – congas

    Support this excellent band:
    https://75dollarbill.bandcamp.com/

    Support the venues bringing you interesting music:
    https://www.tubbyskingston.com/music-calendar

    Jeffrey Alexander & The Heavy Lidders: August 10, 2024 Deep In The Valley

    August 19, 2024
    By

    Photo by Christopher Bruno

    The NYCTaper coverage of the 2024 Deep in the Valley festival continues with Jeffrey Alexander & The Heavy Lidders! 

    Jeffrey Alexander & The Heavy Lidders became the first group to play at the festival twice, having appeared in year one.  For this set, the core four were joined by Wednesday Knudsen (sax) and Ron Schneiderman (guitar), and John Moloney (percussion) fresh off their set with Sunburned Hand of The Man.  The septet configuration of the Lidders gave us a one-song set. One 45-minute version of the classic psychedelic mind fuck, “Dark Star.” 

    Phil Lesh once said, “Dark Star is always playing somewhere.  All we do is tap into it.”  On this day, Dark Star was being played in a field near an apple Orchard in Red Hook NY and the Lidders absolutely tapped into it. Rumor has it, upon playback, one member of the band had a full psychedelic experience complete with walls moving.  Live, it hit me so hard I was forced back to my camping chair to recalibrate for about ten minutes.  Your mileage may vary. 

    This was recorded from stage lip with my MBHOs and wonderful soundboard feed from FOH engineer Daniel Stout.  The quality is excellent.  Get your mind right and blast off! 

    Stream and download from the Live Music Archive!

    
Jeffrey Alexander & The Heavy Lidders
2024-08-10
Deep in The Valley Festival
From The Ground Brewery
Red Hook, NY

    Source: MBHO 440 + SDB > MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

    Recorded and produced by kliked for nyctaper.com

    Thanks to FOH engineer Daniel Stout for the board patch!

    1. Dark Star*

    The Heavy Lidders are:
    Jeffrey Alexander – guitar, vocal
    Drew Gardner – guitar,
    Jesse Sheppard – bass
    Scott Verrastro – drums

    with:

    John Moloney – Percussion
    Wednesday Knudsen – Sax
    Ron Schneiderman – Guitar

    Please support this excellent artist!
    https://jerkfree.wixsite.com/website

    Please support Raven Sings The Blues!
    https://www.ravensingstheblues.com/

    Photo by Christopher Bruno:
    https://christopherbrunophotography.pixieset.com

    https://www.nyctaper.com

    Rich Ruth: June 27, 2024 Colony

    July 5, 2024
    By

    Ruth’s recent album on Third Man, “Water Still Flows” is barely two weeks from release but already feels like an old favorite. The vast and atmospheric space jazz tinges found on “I Survived, It’s Over” are still there; but a harder edge has been added. Heavy guitars and fuzz, a touch of sludge and darkness. That’s not to say this is a dark album. These additions are well-balanced. Part of that balancing act is harpist (and local favorite) Mikaela Davis’s contributions to the record.

    Ruth and his band came through Woodstock on the last night of a run supporting Davis and her band, Southern Star. There was a moment during the last few minutes of “Action at a Distance” where I could notice Ruth and company win over the crowd. After a few minutes of atmospheric sax work by Sam Que, the rhythm section starts to boil. You can feel the energy begin to mass and then explode as Ruth lays into his guitar. People that had previously been talking to friends started looking to the stage.

    Davis joined on the last two songs of the set. This was a special treat I don’t expect to see again any time soon. The first track she plays on “No Muscle, No Memory” offers a great microcosm of what this project is. At its beginning, it sounds like the period just before the sun comes up; the time when the new day could be anything and possibilities exist. But by its end it had obvious definition, and you know what the sunrise had brought.

    The Colony is a challenging room to tape in. On this night, I was set up on the balcony, slightly left of center. While the mix in the room was good, this location leaves me in the middle of people looking for a quieter place to chat. As such, crowd chatter is noticeable during quieter passages. Overall, the quality is very good, but this is most certainly an “AUD”. Enjoy!

    Download and stream from the live music archive!

    Rich Ruth
    2024-06-27
    Colony
    Woodstock, NY

    Source: MBHO 440 > MixPre3 (clamped to railing on balcony, slightly left of center) > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

    Recorded and produced by kliked for nyctaper.com

    1. Heavy & Earthbound
    2. Action at a Distance
    3. Taken Back
    4. Marina
    5. No Muscle, No Memory*
    6. Crying In The Trees*

    Mike Ruth – Guitar, Keys
    Taro Yamasaki – Bass
    Taylor Floreth – Drums
    Sam Que – Sax
    *Mikaela Davis – Harp

    Support this excellent artist!
    https://richruth.bandcamp.com/album/water-still-flows

    Support the venues bringing you interesting music!
    https://www.colonywoodstock.com/upcoming_events

    Water Damage: June 12, 2024 Tubby’s

    June 13, 2024
    By

    Do you like volume, drone and repetition? Do you like feeling completely tranced out in a psychedelic, dissociated way? Does the idea of being suspended in a state of transcendental heavy post rock seem appealing? If yes, I have just the thing for you!

    Water Damage is an Austin based band/collective of people wholly committed to forcing the listener into a state of disorientation. Has the same bar been repeated for the last thirty minutes? Will my hearing be intact when this is over? The answer, honestly, is irrelevant. What’s important is this will probably be the best set of music you see this month, possibly this year. It is intense and all encompassing and completely unavoidable. You can try and ignore it, but eventually its enormous force will swallow you. Imagine being crushed by a glacier. That’s kind of what it felt like watching them destroy the room. As they say, “MAXIMAL REPETITION, MINIMAL DEVIATION.”

    NY heads have a chance to catch them tonight (6/13/24) on an incredible bill at Union Pool with site favorites Weak Signal and Gift Horse. Do not miss this. Bring ear plugs.

    I recorded this from the usual spot at the soundboard, and I’m very happy with how it turned out. On play back, listeners should set a volume that, as Marc Ribot says, makes you wonder if one is “really placing their amps at risk.”

    Download and stream from the live music archive.

    Water Damage
    2024-06-12
    Tubby’s
    Kingston, NY

    Source: MBHO 440 > MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8)
    Recorded and Produced by kliked

    1. Live at Tubbys 2024-06-12

    Support this excellent artist!
    https://waterdamage12xu.bandcamp.com/album/repeater
    https://waterdamageatx.bandcamp.com/

    Support the venues bringing you interesting music!
    https://www.tubbyskingston.com/music-calendar

    Idle Ray: September 29, 2023 Tubby’s Fifth Anniversary

    June 10, 2024
    By

    The NYCTaper coverage of Tubby’s Fifth Anniversary returns with Idle Ray!

    Idle Ray’s set in the arc of the Tubby’s anniversary party was crucial. The day had started pretty bleak. Massive storms had essentially made travel out of New York City impossible, and several bands, and fans, had to cancel travel arrangements. I had been at the venue the previous night setting up gear and staff morale was super high. When I got back that afternoon I arrived to less than peak vibes, but things started turning around quickly. A couple drinks, the first band hitting the stage, a surprise fill in from Wild Pink and suddenly things were looking good. By the time Idle Ray hit, no one was talking about the storm. It was party time.

    Idle Ray’s inclusion on the bill made perfect sense. Fred Thomas, Idle Ray’s primary songwriter, is a long time veteran of Detroit’s vibrant music scene with credits on far too many records to list. He has performed several times at Tubby’s as part of the excellent Detroit based DIY/Punk band Tyvek and is also in Winged Wheel with one of Tubby’s owners. Recorded mainly during Covid, the Idle Ray project was created as an attempt at “going back to basics of recording on cassette four-track and having it be more about interesting sounds and feel than perfect performances or getting an industry-standard snare sound.”

    The studio recordings are all Fred. For this show, Fred handled guitar and lead vocals with Devon Clausen on bass and Frances Ma on guitar and lead vocals, with backing drum machine tracks. I was unfamiliar with the material before this, but the hooks are there. It took all of half of the set opener “Overlook” to be glad I had hit record. The trio brought all the fuzzy power pop glory anyone could want to the evening. Great songs, well played and a nice bonus of some great stage banter. Fred mentioned one of the songs was about the time his ex ran for Mayor of his town. His summation of the experience; “SSUUUCCCKKKEEEDDDD”. It never occurred to me that the only way the endless forced misery of political campaign advertisements could be more hellish is if your ex was featured in them.

    You can catch Fred back in town playing with Winged Wheel at Bearsville theater (with Guided By Voices!) on 8/10. You can also catch Tyvek, sans Fred, at Tubby’s on 7/27.

    Recording for this set differed pretty significantly from the normal Tubby’s set up. Since they had two “stages” with two different sets of speakers, I had to set up two different sets of mics and recorders and start and stop each between bands. Thankfully, I was able to get a board feed from the main console in the back for each “stage”. I combined the front room mics with the board feed for the recording you have here. It sounds excellent; full of life and screaming guitars. Crank it!

    Download and stream from the live music archive!

    Idle Ray
    2023-09-29
    Tubby’s
    Kingston, NY

    Source 1: SP-CMC-4U (AT853 cards, low sens mod) > SPSb-11 > R-07
    Source 2: SDB > Zoom F8
    Source 1 + Source 2 > Adobe CC (time align, EQ, compression) > Audacity (tracking, fades) > FLAC (lvl 8)
    Recorded and produced by kliked for nyctaper.com

    Thanks to Tubbys FOH engineers Wil for the patch and Kyle for the mix!
    This was part of the Tubby’s 5 Year anniversary celebration

    1. Overlook
    2. Backwards
    3. Emphasis Locator
    4. Corridors of Summer
    5. Luck Be Damned
    6. New Weird Thing
    7. Localism Hours
    8. Quiet Cab
    9. Ruiner

    Idle Ray:
    Frances Ma: Guitar and Lead Vocals
    Devon Clausen: Bass
    Fred Thomas: Guitar, Tapes, Lead Vocals

    Support this excellent band:
    https://idleray.bandcamp.com/

    Support the venues bringing you interesting music:
    https://www.tubbyskingston.com/music-calendar

    Primitive Air: December 08, 2023 Tubby’s (Kingston, NY)

    December 18, 2023
    By

    I first became aware of Primitive Air’s Drew Piraino sometime in 2016. He had recently moved to the same weird, obscure, little suburb of Kingston, NY that I had been living in for the past ten or so years. This “town” is so small you cannot get mail delivered to your house. Everything must be picked up from the post office, which is a converted porch attached to someone’s home. Seriously. One day I went to pick up some records I had been waiting for and while the post lady gathered them up, I noticed another stack off to the side. I asked about them and she said, “Yeah, some other guy gets lots of records too.” Inevitably, we became friends. 

    I remember when the original Primitive Air tape was released on Beyond Beyond is Beyond (RIP). I popped into the bar where he was working to talk about it. I am fairly sure my eloquent assessment was “It sounds like German commune music in a good way.” He hugged me and bought me a round. He was good enough to see through my clumsy review and realize I was holding it to a very grand standard. These songs do not aim for hooks or anything that might be misconstrued as “pop sensibilities.” They exist to get the listener outside of their head or, maybe, much deeper inside their head. 

    For this performance, Drew (bass and guitar) was joined by Jeff Mercel on drums, Jared Ashdown and Alex Kulick on guitars. The short but very sweet set is comprised of one tune from that 2018 BBiB tape and one new composition. Both tunes were great, but it was a joy to hear “Samadhi” stretched out with some impressive guitar interplay between Jarrod and Alex. 

    Primitive Air was the first band I ever record at Tubby’s way back in 2019. I’ve seen and recorded a lot of music in that room since so it was a pleasure to close out this year right where I started, in my spot in the back by the soundboard. It was doubly sweet as this was the first show I saw since the building was purchased by the employees. Tubby’s is now truly an independent venue. Enjoying interesting music in a supportive environment is the name of the game, and I hope we all get to keep playing for years to come. 

    Download and stream from the Live Music Archive!

    Primitive Air
    2023-12-08
    Tubby’s
    Kingston, NY

    Source: MBHO440 > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity FLAC (lvl 8) > Mp3Tag

    Recorded and produced by Kliked

    Thanks to Tubby’s FOH engineer Brian for the mix!

    1. Resurrection at Eleusis
    2. Samadhi

    Support this excellent artist!
    https://primitiveair.bandcamp.com/album/creation-hymn

    Support the venues bringing you interesting music!
    https://www.tubbyskingston.com/music-calendar

    Black Duck: September 9, 2023 Tubby’s (Kingston, NY)

    November 10, 2023
    By

    Since the late 90’s Chicago’s music scene has been a constant source of excitement for me. It seems like every year some new gem comes out of the city’s endless pool of independent, creative, and adventurous musicians and labels. Old favorites like Tortoise, and their label, Thrill Jockey, continue to push boundaries while new favorites like International Anthem and Glyders demand my attention. 

    Black Duck is a trio of Douglas McCombs, Charles Rumback, and Bill MacKay; all veterans of Chicago’s fertile improv scene. Their self-titled Thrill Jockey debut has its roots in their collective improvisation experience with the bulk of the material being created in the studio. The Tubby’s faithful were lucky enough to be given does of both improv and arranged material. 

    The set started with one of two fully improvised pieces allowing the band to find their footing before moving into “The Trees Are Dancing” giving us a chance to hear a live treatment of the recorded material. It’s always interesting to see how musicians approach established songs that are rooted in improvisation. In Black Duck’s case, all the album material was stretched out. The evening ended with a nearly ten-minute version “Lemon Treasure” before heading into another impro piece based loosely on the album track “Light’s New Measure”. 

    I recorded this from my usual spot by the soundboard with the MBHO’s. The low end was a touch boomy early on, but things settled in rather nicely and I’m very happy with the quality. Enjoy! 

    Download and stream from the Live Music Archive!

    Black Duck
    2023-09-09
    Tubby’s
    Kingston, NY

    Source: MBHO440 > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity FLAC (lvl 8) > Mp3Tag

    Recorded and produced by Kliked

    1: Improvisation #1
    2: The Trees Are Dancing
    3: Improvisation #2
    4: Of The Lit Backyards
    5: Delivery
    6: Lemon Treasure
    7: Improvisation #3

    Black Duck is:
    Douglas McCombs – Guitar/Bass
    Charles Rhumback – Drums
    Bill MacKay – Guitar

    Support this excellent artist!
    https://blackduck.bandcamp.com/album/black-duck

    Support the venues bringing you interesting music!
    https://www.tubbyskingston.com/music-calendar

    Tengger: October 1, 2023 Tubby’s Fifth Anniversary

    October 31, 2023
    By

    Today begins our coverage of Tubby’s Fifth Anniversary party with deep Kosmische zones courtesy of Tengger. 

    The Pan-Asian traveling family came to town on day 3 of the event to play at the outdoor stage the Tubby’s team put together by turning Field Court into a block party.  It’s hard to express how emotional this set was to see and hear.  When I first moved to Kingston, nearly 20 years ago, the idea that I would spend a Sunday afternoon in a dead-end street off Broadway doing anything other than being mugged would have been an impossibility. Instead, several hundred people stood still and quiet and let Tengger’s sound fill their hearts and souls. The zones were so deep that at least two people were laid out across the ground; staring into the sky and probably much further while RAAI walked through the crowd chiming bells. It’s this exact spirit of adventurous acceptance that I’ve come to love and expect of Tubby’s crowds. 

    Tengger’s sonic makeup is an interesting dichotomy.  In constructing their drones and soundscapes they often rely on making the very quiet seem very huge.  This is a complicated issue from a sound and production stance because there is A LOT of gain involved and that often means a lot of feedback. A touch of that is evident during the first track, Water, but Tubby’s super team of Will on house mix and Kyle on monitors tamed the beast quickly.  I recorded this from the Soundboard with my MBHO’s and the FOH team’s superb mix.  The sound is excellent, and I truly hope it was heard throughout the entire town. 

    Special thanks to friend of the site Mike Newman for facilitating things with the band and getting the ok to post this! 

    Download in FLAC and MP3

    mr_kliked · Tengger2023-10-1

    Tennger
    2023-10-1
    Field Court Stage
    Kingston, NY
    Tubby’s 5th Anniversary

    Source: MBHO 440 (at Soundboard) + SDB > Zoom F8 > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

    Thanks to Tubby’s FOH Engineer Will for the patch!

    1. Water
    2. Achime
    3. EUNHASU
    4. Beautiful Ocean
    5. PANAPTU
    6. High

    Please this excellent artist!
    https://tengger.bandcamp.com

    Please support the venues that bring you interesting music!
    https://www.tubbyskingston.com/music-calendar

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