Posts Tagged ‘ full album shows ’

Smashing Pumpkins: December 10, 2012 Barclays Center – FLAC/MP3 Downloads + Streaming Songs

December 20, 2012
By

orb
[photos courtesy of Jill and For the Love of Brooklyn]

Originally the Smashing Pumpkins were slated to play their first NYC arena show in over 15 years at the newly-opened Barclays Center on Halloween. The last time Billy Corgan and company rocked Madison Square Garden was in 1997 during the heights of Mellon Collie and the Infinite Sadness. Unfortunately, Hurricane Sandy had other ideas.

The band ended up rescheduling the show at Barclays on December 10th, which coincided with the end of their current North American tour. Corgan announced earlier this year that the band would be playing their new album Oceania in its entirety. The album has received almost universally positive coverage amongst music critics, many of whom have compared it to the classic Pumpkins sound popularized by albums like Siamese Dream and the aforementioned Mellon Collie.

After our last encounter with the band at Terminal 5 last year (which made our Top 25 of 2011 list), we knew we were in for a treat.  Plus, we were looking forward to our first Barclays experience, which ended up being a highly positive one with great concessions, a friendly staff, and a surprisingly good sound system. In addition to a full album run-through, the band played a set of the hits with stand-outs like “X.Y.U.”, “Hummer” and “Cherub Rock.”

tsp

One of the highlights of the show beyond the music was the giant glowing orb on stage. The Pumpkins collaborated with graphic artist Sean Evans earlier this year to develop visuals for the tour, which used digital mapping technology to project video and images on the sphere. In one of the most poignant moments of the show, the orb featured original scenes from Georges Méliès‘s silent film A Trip to the Moon, which was the original inspiration for the classic “Tonight, Tonight” music video.
Matthew Perpetua, a long-time Pumpkins fan and the founder of Fluxblog, reviewed the concert the next day, recalling his own experience of “Tonight, Tonight.” Perpetua summed it up best:
I was most surprised by my response to “Tonight, Tonight.” I often skip that song when I listen to Mellon Collie, but in concert it’s just sort of undeniable, and you realize that its sentiment is the key to understanding what Corgan has been trying to do with his music for all these years. It’s a song that blasts cynicism, and rejects the notion that any creative ambition is too crazy to be considered. I can think of a bunch of times recently when I was talking to someone who was really down on themselves, and I had to fight myself not to tell them “life can change, you’re not stuck in vain” because it’s corny to quote a Smashing Pumpkins song to someone who is genuinely distraught. But man, that line is so true. That whole song is so true.

Indeed, especially in light of Hurricane Sandy and all that led to the rescheduling of this show, this positivity and nostalgia was so refreshing. If the performance at the Barclays Center is a beacon of things to come, we can’t wait. I recorded this set up close with the Dynamic Audio Binaural microphones that I personally designed and built. The sound is in-your-face and excellent. Enjoy!

Stream “Pinwheels”
[audio:https://www.nyctaper.com/S1810SmashingPumpkins1102/Pinwheels.mp3]

Stream “Tonite Reprise > Tonight, Tonight”
[audio:https://www.nyctaper.com/S1810SmashingPumpkins1102/Tonight Tonight.mp3]

This Recording is now available for Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Note that this show will be uploaded to the Live Music Archive shortly. Please do not upload to the LMA on our behalf.

The Smashing Pumpkins
Barclays Center
Brooklyn, NY, US
2012-12-10

Recordist : hi and lo
Source : DAB > DA-120F > Sony PCM-M10 @ 24 bit / 48 kHz
Edit : WaveLab V6 (EQ/Fades/Resampling/Dither)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 Level 8 with TLH v2.6.0 (Build 168)

Tracklist:
01. Intro
02. Quasar
03. Panopticon
04. The Celestials
05. Violet Rays
06. My Love Is Winter
07. One Diamond, One Heart
08. Pinwheels
09. (Banter)
10. Oceania
11. Pale Horse
12. The Chimera
13. Glissandra
14. Inkless
15. Wildflower
16. Space Oddity [Bowie]
17. X.Y.U.
18. Disarm
19. Tonite Reprise
20. Tonight, Tonight
21. Bullet with Butterfly Wings
22. Introduce the Band
23. The Dream Machine
24. Hummer
25. (Encore Call)
26. Ava Adore
27. Cherub Rock
28. Zero

Running Time: 2:21:29

If you enjoyed this recording, please support Smashing Pumpkins, visit their website, and purchase Oceania as well as the newly-reissued versions of their 90s records including Mellon Collie and the Infinite Sadness at their official store [HERE]

David Bazan (playing Pedro the Lion’s “Control”): November 15, 2012 Music Hall of Williamsburg – FLAC/MP3/Streaming

December 4, 2012
By


[Photos courtesy of flávio oota]

David Bazan’s 2002 album Control marked what became his second concept album as a recording artist. His first full-length effort as Pedro the Lion, 2000’s Winners Never Quit, told the story of the corruption and redemption of a politician, and was a favorite of mine at the time. Despite its intensely personal lyrics, capable songwriting and obvious ambivalence toward Christianity, a particularly agenda-laden Pitchfork review savaged the record and derisively called Bazan a “Christian rocker”. Control is a dark, brooding album that tells the tale of the dissolution of a modern marriage that ends, ultimately, in murder, the downward spiral all rendered in Bazan’s mournful tones. Control did well with critics and fans. But, ten years later, how has it worn?

David Bazan is a different artist today. His struggles with alcohol – and Christianity – are in the rearview, and as he told the crowd this night at Music Hall of Williamsburg, he is a better musician.  After abandoning the Pedro moniker in 2006, he has produced two excellent solo albums under his own name that stand in their own right. This tour was designed to promote the high-quality vinyl reissues of the Pedro the Lion catalog, including Control, and tonight found David and his band (Alex Westcoat and Andy Fitts, who play on both Bazan “solo” albums) playing each of the LP’s sides with a mix of Pedro and Bazan solo tracks sandwiched in the middle. Along with getting to enjoy Control classics like “Penetration” and “Rejoice” (introduced, to close out the set, as “a bummer”), Bazan played some other favorites mid-set, including “Eating Paper” from his latest solo record, Strange Negotiations, and “When They Really Get to Know You They Will Run” from Pedro’s first album, It’s Hard to Find A Friend.  So how did Control sound ten years on?  It may be a “bummer” emotionally, but it continues to stand as a musical success.

I recorded this set with Schoeps MK41 supercardiod microphones inside the soundboard cage, with an excellent soundboard feed mixed by the band’s touring engineer Brad Lightfoot.  The sound is excellent.  Enjoy!

Special thanks to Bob Andrews and Caleb Palma at Undertow Music for permitting the making and sharing of this recording, and Ryan and Nick of MHOW for their kind assistance.

Stream “Penetration”

Stream “Eating Paper”

Download the MP3 files [HERE] | Download the FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

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Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

David Bazan
2012-11-15
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, SBD cage, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Brad Lightfoot)>> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, align, adjust levels)>Izotope Ozone 5 (EQ, exciter tube effect)>Audacity 3.0 (set fades, tracking, amplify, balance)>FLAC (level 8 )

Tracks [Total Time: 1:11:59]
Side A of “Control”
01 Options
02 Rapture
03 Penetration
04 Indian Summer
05 Progress

Mid-Set Other Songs
06 [banter/band intro (Q&A portion deleted at artist request]
07 Gas & Matches
08 The Devil Is Beating His Wife
09 Transcontinental
10 People
11 How I Remember
12 Eating Paper
13 When They Really Get To Know You

Side B of “Control”
14 Magazine
15 Rehearsal
16 [banter]
17 Second Best
18 Priests & Paramedics
19 Rejoice

Players:
David Bazan – Guitar, Vocals
Alex Westcoat – Drums
Andy Fitts – Bass

If you enjoyed this recording, please support David Bazan, visit davidbazan.com, and buy his records from Undertow Music [HERE]

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