Posts Tagged ‘ AKG CK61 ’

Horse Lords: February 5, 2015 Union Pool – FLAC/MP3/Streaming

February 13, 2015

Horse Lords take a collage-like, mixtape approach to song and setlist construction, balancing instrumental jams with electronic texture pieces. Rather than beginning and ending, songs morph into one another, blurring the lines between compositions and styles. Hailing from Baltimore, a city that’s become well known for its rich music scene, Horse Lords perform a tightly-wound mathrock that blends the influence of African polyrhythms with motorik beats. Opening up for Chris Forsyth & The Solar Motel Band at Union Pool, their set features four untitled tracks followed by their signature tune, “Outer East,” a twelve-minute jam that explores each aspect of their sound. That song also appears on their second album, Hidden Cities, which came out on NNA Tapes this past November. It follows a few self-released mixtapes and a self-titled LP on Baltimore weirdo label, Ehse Records. What’s impressive about their performance is each player’s ability to play in the spaces between the other instruments. Nowhere does it sound like like these guys are playing over one another, despite the complex interlaced rhythms. Percussion is central to their mission. Many tracks feature two drum kits, but there’s also a percussive element to the way the other instruments (guitar, bass, saxophone, and electronics) are handled. While it was a New Yorker recommendation for Chris Forsyth that ensured a packed house, the crowd was up for diverse and experimental music and Horse Lords elicited a well-deserved, rapturous response.

I recorded this set with the AKGs clamped to the balcony combined with a board feed from Union Pool FOH Leah. The sound is excellent. Enjoy!

You can catch Horse Lords on tour with Liturgy in early April. Dates are listed on their website.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Horse Lords
2015-02-05
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, EQ, mixdown) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [38:17]
01. Untitled
02. Untitled
03. Untitled
04. Untitled
05. Outer East

If you enjoyed this recording, PLEASE SUPPORT Horse Lords. Visit their Bandcamp page, like them on Facebook, and buy Hidden Cities from NNA Tapes.

Noveller: January 29, 2015 Cameo Gallery – FLAC/MP3/Streaming

February 4, 2015

By EricPH

The word “cinematic” is an often lazy descriptor employed in order to say something/anything about abstract instrumental music. And yet when discussing Noveller née Sarah Lipstate’s music, it’s exceedingly difficult not to use the word. Performing live, I can’t recall seeing her incorporate video or visuals into her set, despite being well-known as a filmmaker. Perhaps it’s because her music itself is already a visual medium, suggesting and conjuring images in the listener’s imagination, as if environments and topographies are being transported by sound. Her album and song titles are filled with geological and elemental references—glaciers, deserts, dunes, mountains, fire—so listening at home there is often some specific direction for the imagination. But live, without immediate access to song titles, the experience is something maybe a little less directed, left to the listener’s own mind.

I caught Noveller at Cameo Gallery for her Fantastic Planet record release show. Already the album’s title carries filmic connotations—Fantastic Planet (La Planète sauvage) is a French stop motion animated film from the seventies. (Its soundtrack, by Alain Goraguer, has recently been reissued and Ad Hoc’s latest zine has a feature on it.) I haven’t read anything affirming the record’s reference to the film, but the connection, however tenuous, is likely. New songs like “Into the Dunes,” “Rubicon,” and the driving, rhythmic “Pulse Point” sound coincident to that film’s bizarre imagery and stark landscapes. “Growing,” along with album- and set-closer “The Ascent” build towards a resolution to the action of the preceding songs and seem to emphasize some knowledge or understanding gained.

Though this set focuses mostly on the new record, it also integrates three selections from 2013’s No Dreams: the title track, “Purchase,” and “Gathering the Elements.” Thematically, those songs fit in seamlessly with the new material and while there’s definitely a narrative arc to her set, I’d be hard pressed to put it into words. Better to listen with an open mind and let the songs take you where they’re going.

I recorded this set with the mics positioned in front of the board and a feed from Cameo Gallery FOH Gary. The crowd was a little chatty so this mix favors the board feed with the mics adding some room depth. The sound is excellent. Enjoy!

Noveller plays tonight, February 4th, at The Wick as part of the Tinnitus Music Series. Tickets are still available.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Noveller
2015-01-29
Cameo Gallery
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Gary) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV(24/48) > Adobe Audition CC (align, mixdown, EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [40:46]
01. Rubicon
02. Into the Dunes
03. No Unholy Mountain
04. Pulse Point
05. No Dreams
06. Purchase
07. Gathering the Elements
08. The Ascent

If you enjoyed this recording, PLEASE SUPPORT Noveller. Visit her Bandcamp page, like her on Facebook, and buy Fantastic Planet through her website.

Oneida: January 10, 2015 Palisades – FLAC/MP3/Streaming

January 23, 2015

By EricPH

The set you’re about to hear—or are already listening to depending on the order of things—is the seventeenth Oneida show posted here on NYCTaper. Without actually doing the legwork, I’m going to go ahead and assume they’re this site’s most recorded band. We’ve seen all types of Oneida shows. Full album performances. Early AM sets accompanied by pancakes. Literally hours-long sets of improvised jams. This one from Palisades is probably the shortest we’ve seen from Oneida, but what it lacks in length it more than makes up for in energy. Like other recent shows, they open with “Cedars” running straight into “Economy Travel.” The transition between the two songs has become so seamless that you barely realize it’s happened and by the time you do you’re deep into the latter song with little memory of how you arrived. New here is their cover of This Heat’s “S.P.Q.R.” A mostly literal cover of the original, it is furiously out of breath, tripping over itself, it’s center of gravity far out in front. If there’s any band that could do this one justice it’s Oneida. Lastly, the Hanoi Jane-sung battle cry “Cock Fight” closes out the set. Convinced it’s Friday (it was Saturday) Jane offers to take us into the weekend with one last jam. Whatever the day, the journey took us somewhere unexpected and we were different than when we had left.

I recorded this set in the same manner as the Chris Forsyth one from the same night, with the AKG’s in front of the soundboard and pointed at the right stack plus a soundboard feed from Palisades FOH Ariel. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Oneida
2015-01-10
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter, imaging) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [28:58]
01. Cedars
02. Economy Travel
03. S.P.Q.R. [This Heat]
04. Cock Fight

If you enjoyed this recording, PLEASE SUPPORT Oneida. Visit their website, like them on Facebook, and buy A List of the Burning Mountains from Jagjaguwar.

Chris Forsyth & The Solar Motel Band: October 24, 2014 Rough Trade & January 10, 2015 Palisades

January 19, 2015

By EricPH

NPR pretty much nailed it when they described Chris Forsyth’s music as “the intersection of Television and The Grateful Dead.” Add to that casual mentions of Neil Young and Richard Thompson, both of whom Forsyth has recently covered, and you get a fairly accurate portrait of his music. But musicians—the good ones at least—are more than just vectors for their influences. Forsyth’s first album with his band, Solar Motel, made it clear that here was an original songwriter working within and pushing the boundaries of a musical tradition. Forsyth’s guitar playing comes off as effortless and his looseness is counterbalanced by the Solar Motel Band’s ability to jam as if a single consciousness.

Here we have two sets, one recorded just days before the release of Intensity Ghost and one a short few months later, though long enough to have let that album’s jams percolate. The sets are nearly identical in setlist; the Palisades set substitutes a cover of Richard & Linda Thompson’s “The Calvary Cross” in place of Intensity Ghost’s “Yellow Square” from Rough Trade. Each features the same as-yet-untitled new song, an impressive jam to rival “The Ballad of Freer Hollow” for dominance as the band’s signature tune. Forsyth does an admirable job on vocals with “The Calvary Cross,” managing to carefully convey the song’s significance without resorting to affectation. “Intensity Ghost” is an exercise in guitar soloing bookended by an urgent jam that highlights the band’s ability to craft more tightly-wound rock songs. Finally, each set closes with “I Ain’t Waiting,” a slowed-down jam that eases you out of the Solar Motel headspace you’ve just inhabited for a good three-quarters of an hour.

Acidjack recorded the Rough Trade NYC show with Shoeps MK41’s set up at the soundboard, with a board feed from FOH Cam. The Palisades show was recorded with the AKG’s set up in front of the board, with a board feed from FOH Ariel. Both sets sound outstanding. Enjoy!

Download the Rough Trade NYC show at the Live Music Archive

Download the Palisades show at the Live Music Archive

Stream the complete Rough Trade NYC show:
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Stream the complete Palisades show:
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Chris Forsyth & The Solar Motel Band
2014-10-24
Rough Trade NYC
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Cam) + Schoeps MK41 (DFC, PAS, at SBD)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (exciter effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [44:27]
01. Intensity Ghost
02. [banter]
03. The Ballad of Freer Hollow
04. [banter]
05. Yellow Square
06. [banter]
07. High Castle Rock
08. [banter]
09. I Ain’t Waiting

Chris Forsyth & The Solar Motel Band
2015-01-10
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Adobe Audition CC (align, balance, mixdown, compression, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [48:37]
01. The Ballad of Freer Hollow
02. High Castle Rock
03. The Calvary Cross [Richard & Linda Thompson]
04. Intensity Ghost
05. I Ain’t Waiting

Remastered August 2018

If you enjoyed this recording, PLEASE SUPPORT Chris Forsyth. Visit his website, like him on Facebook, and buy Intensity Ghost from No Quarter.

Baked: January 2, 2015 Palisades – FLAC/MP3/Streaming

January 7, 2015

By EricPH

[photo by Rocketman]

You would be only half right in assuming that a band called Baked trades in hazy jams suited more to the night’s comedown than its revving up. That’s not to say they don’t do hazy jams—nine-minute set-closer “Tolex” is proof enough of that. But they also deliver some rocking indiepop that takes unexpected turns.

Baked is a Brooklyn-based quintet composed of R.J. Gordon (vocals/guitar), Davey Jones (guitar), Jeremy Aquilino (bass/vocals), Yoni David (drums), and Isabella Mingione (keys/vocals). Their debut LP, Debt, is out on Exploding in Sound Records and they’re right at home among that label’s amazingly consistent roster. I caught Baked last Friday at Palisades, headlining a stacked bill that also included Brooklyn’s Washer (that set posted here) and Connecticut’s Furnsss. For this set, Baked pull mostly from last year’s Debt, adding “8er” from their self-released, self-titled cassette, and a couple newer tracks (“I Win” and “AA”). Highlights include “Hungry Ghosts,” the aforementioned longform jam of “Tolex,” and the upfront keyboards and reverbed vocals on the rocking “Smoke Gets in Your Eyes.”

I recorded this set with the AKG cardioids at the soundboard, plus a feed from Palisades FOH Ariel. The sound is slightly rough around the edges, but authentic to the night’s experience. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Baked
2015-01-02
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Audacity 2.0.5 (mixdown, fades, EQ, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [43:28]
01. Mick Jagger
02. Wet Blanket
03. Don’t Trip
04. Codec
05. Hungry Ghosts
06. 8er
07. Smoke Gets in Your Eyes
09. AA
10. Cramsey
11. Tolex

If you enjoyed this recording, PLEASE SUPPORT Baked. Like them on Facebook and buy Debt from their Bandcamp page.

Washer: January 2, 2015 Palisades – Flac/MP3/Streaming

January 5, 2015

By EricPH

[photo by Rocketman]

Washer is the Brooklyn-based duo of Mike Quigley (guitar, bass, vocals) and Kieran McShane (drums). This past Friday night at Palisades, these econo-jammers tore through an impressive ten song set in a staggering twenty-five minutes. Their longest songs of the night barely pass the three-minute mark while their shortest, “Safe Place,” clocks in at under a minute. But what’s consistent throughout is how refreshing the songs sound, lacking any hint of pretension, artifice, or embellishment. Nothing wasted, these songs plow right into you, sink their hooks in, and don’t outstay their welcome. Only three songs from their Palisades set have so far been released: “Rinse & Spit” and “Rot” are hot off their recent split single with Big Ups, out on Exploding in Sound Records, and “Bass 1” is off last year’s self-released cassette EP, Bighead. The rest of the songs remain to be released and show loads of promise. Personal highlights include the indie-rocker “Clid,” distorted punker “Porky,” and the chilled-out “This Land.”

I recorded this set with the AKG cardioids at the soundboard, plus a feed from Palisades FOH Ariel. The sound is slightly rough around the edges, but authentic to the night’s experience. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Washer
2015-01-02
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Audacity 2.0.5 (mixdown, fades, EQ, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [25:23]
01. Rinse & Spit
02. Rot
03. Clid
04. Bass 1
05. Eyelids
06. Porky
07. This Land
08. Figure Me Out
09. Safe Place
10. Joe

If you enjoyed this recording, PLEASE SUPPORT Washer. Like them on Facebook and buy their split 7″ and the Bighead EP at their Bandcamp page.

Soulside: December 17 and 18, 2014 Saint Vitus – FLAC/MP3/Streaming

December 22, 2014

By EricPH

[video still via (((unartig)))]

It came with nearly no warning that Soulside announced their first shows in twenty-five years. The reunion was initially prompted by the release of the highly anticipated DC hardcore documentary, Salad Days: A Decade of Punk in Washington, DC (1980–90). Announced first as a single date at legendary DC club The Black Cat to coincide with a screening of the film, the reunion quickly expanded to include two nights at Brooklyn’s Saint Vitus and an additional night at The Black Cat. The four shows sold out almost immediately with a bare minimum of hype and promotion.

Of the 1980s DC hardcore scene, Soulside are hardly the most well-known. Fugazi is, of course, the most visible of all those bands. Soulside often get pegged as followers of Fugazi, but in fact they were active years before Fugazi and the relationship between the two bands is less of one band following another and more of a cross-pollination within a community. After disbanding in 1989, lead singer Bobby Sullivan would take a break from music, later forming the bands Rain Like the Sound of Trains and Sevens. The rest of Soulside—Scott McCloud (guitar), Johnny Temple (bass), and Alexis Fleisig (drums)—would go on to form seminal noise rock band Girls Against Boys.

Twenty-five years to the day since the band’s final gig, Soulside took the stage at Brooklyn’s Saint Vitus. Over two nights, from the rumbling opening bass riff of “God City” to the lean punk of “Under the Glare,” the band draws from their entire body of work. Many of us relative newcomers too young to have experienced Soulside during their initial run encountered the band via the CD collection, Soon Come Happy, which gathers the better known Dischord albums Trigger and Hot Bodi-Gram. Each of those albums is well represented here. From Trigger, which was recently reissued by Dischord and expanded to include the Bass • 103 single, we get some of Soulside’s signature tracks: “Baby,” “Trigger,” and “Name in Mind.” They play almost all of their final record, Hot Bodi-Gram, the highlights of which are “God City,” “Pembroke,” and the duo of “New Slow Fucky” and “New Fast Fucky.”

For longtime devotees—or simply those old enough and hip enough to have been there—“Under the Glare,” and “Lookin’ Around” date back to 1984 when the band was called Lunchmeat. And from the band’s first album Less Deep Inside Keeps, originally released in 1987 as a joint venture between Dischord and Sammich (another essential DC Hardcore label), they play “Pearl to Stone,” “Fresh Air,” “Other Side,” and a cover of Wire’s “Ex-Lion Tamer.”

Soulside is a band I never thought I’d see play live. And looking around at Saint Vitus each night, it was clear I wasn’t the only one. Most of the crowd didn’t look old enough to have seen the band during their initial run. But whether people were drawn to the band like I was, through Girls Against Boys, or whether people discovered them through the punk rock education that is the Dischord catalog, it was clear the songs still resonate. It was an absolute pleasure to get to see these guys perform together and I’m extraordinarily proud to have taped these sets.

I recorded these shows with a pair of AKG C480/CK61 cardioids set up in front of the soundboard, combined with a feed from Saint Vitus FOH, Nick. The sound in the room for both nights was excellent and these recordings reflect that. Enjoy!

Download the complete December 17th show: [MP3] | [FLAC]

Download the complete December 18th show: [MP3] | [FLAC]

Stream the complete December 17th show:

Stream the complete December 18th show:

Soulside
2014-12-17
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Nick) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Audacity 2.0.5 (mixdown, fades, EQ, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [1:05:15]
01. God City
02. What Do You Know About That?
03. Punch the Geek
04. Baby
05. Trigger
06. Name in Mind
07. New Slow Fucky
08. New Fast Fucky
09. Bass
10. Under the Glare
11. X-Lion Tamer [Wire]
12. Lookin’ Around
13. Clifton Wall
14. [Encore Break]
15. War
16. Pembroke
17. A Love Supreme
18. Pearl to Stone

Soulside
2014-12-18
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Nick) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Audacity 2.0.5 (mixdown, fades, EQ, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [1:04:26]
01. War
02. Pembroke
03. Trigger
04. Baby
05. Punch the Geek
06. Bass
07. New Slow Fucky
08. New Fast Fucky
09. Fresh Air
10. I Find the Other Side
11. Bad Show
12. Clifton Wall
13. A Love Supreme
14. [Encore Break]
15. God City
16. Pearl to Stone
17. What Do You Know About That?
18. Under the Glare

If you enjoyed these recordings, PLEASE SUPPORT Soulside—like them on Facebook and buy the Trigger reissue from Dischord.

Lee Ranaldo and the Dust: April 24, 2014 Union Pool – FLAC/MP3/Streaming

June 9, 2014

By hiandlo

[photos by hiandlo]

We like to think we have a special relationship to Lee Ranaldo’s solo career here at NYCTaper. We recorded the first few of his local solo shows back in 2011, and have been there for many more NYC-area gigs moving forward. We have captured live versions of pretty much all of his two excellent solo albums, some really neat covers, and an occasional look back at his Sonic Youth material. But through it all, the quality has been consistent — Lee is a pro with a fertile musical imagination, a penchant for picking superb collaborators, and unique guitar skills. At this Union Pool show a few weeks back, we were fortunate to catch all of this and more. Lee worked through most of the latest album Last Night on Earth (Matador Records) of which we streaming show-stopper “Ambulancer”, and from his eclectic bag of covers, Lee played a faithful cover of proto post-punk legends Wire, this one from their debut album Pink Flag. “Mannequin” is streaming below.

This set was recorded in our usual manner in this venue, this time with the AKG’s attached to the balcony rail and mixed with an excellent board feed. The sound quality is superb. Enjoy!

Stream “Ambulancer”

Stream “Mannequin” (Wire cover):

Download The Complete Show [MP3] / [FLAC]

Lee Ranaldo
Union Pool
Brooklyn, NY, US
2014-04-24

Recordist : hi and lo
Source : Soundboard + AKG CK61 (DIN) > Naiant Active > Naiant PFA > E.A.A. PSP-2 >> Sound Devices 744T @ 24 bit / 48 kHz
Edit : WaveLab V6 (mixdown/eq/gain/fades/dither/resampling)
Encoding : FLAC v1.2.1 Level 8 with TLH v2.6.0

Tracklist:

01. Key/Hole
02. Lecce, Leaving
03. Everybody’s Been Burned [David Crosby]
04. Last Night on Earth
05. Angles
06. Home Chds
07. The Rising Tide
08. Late Descent #2
09. Stranded
10. Ambulancer
11. Xtina as I Knew Her
12. (Encore Call)
13. Mannequin [Wire]
14. Blackt Out

Running Time: 1:30:48

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Lee Ranaldo, visit his website, and purchase their album Last Night on Earth [HERE].

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Posts Tagged ‘ AKG CK61 ’

Horse Lords: February 5, 2015 Union Pool – FLAC/MP3/Streaming

Noveller: January 29, 2015 Cameo Gallery – FLAC/MP3/Streaming

Oneida: January 10, 2015 Palisades – FLAC/MP3/Streaming

Chris Forsyth & The Solar Motel Band: October 24, 2014 Rough Trade & January 10, 2015 Palisades

Baked: January 2, 2015 Palisades – FLAC/MP3/Streaming

Washer: January 2, 2015 Palisades – Flac/MP3/Streaming

Soulside: December 17 and 18, 2014 Saint Vitus – FLAC/MP3/Streaming

Lee Ranaldo and the Dust: April 24, 2014 Union Pool – FLAC/MP3/Streaming

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