Posts Tagged ‘ aeta ’

Heartless Bastards: May 10, 2016 Music Hall of Williamsburg

May 20, 2016
By

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Our journey with the Heartless Bastards continued this year with this show at Music Hall of Williamsburg, part of a dual-headlining tour with the Old 97’s (unfortunately, not taped). Since we first started covering their shows seven years ago, the Bastards have proven over and over to be a consistent, happy go lucky gang of road warriors, churning out one high energy show after another. It’s a credit to them that over a career that spans numerous albums and more than a decade, there’s not a dud among the bunch. Like another Cincinnati band we like to gush about, this band trades flash for grit, quality for quackery. For this show, the second of theirs we’ve covered at this venue, there wasn’t a brand-new album to promote (Restless Ones came out last year) so we were treated to a hit parade of sorts, from “Blue Day” from All This Time, to some of my favorites from Arrow like “Down in the Canyon” and “Skin and Bone,” to the new stuff, including obvious road winner “Gates of Dawn.” As both bands played essentially headliner-length sets, this clocked in a touch shorter than some of the recent sets we’ve seen (though still well past an hour) but nobody left complaining. The band went on to swap places with the Old 97’s a couple nights later at Irving Plaza, but I have to believe the Music Hall crowd got the better end of the bargain. As Erika said, the band loves this club, and for good reason. Like the band themselves, it’s something familiar, and something good.

I recorded this set with Schoeps MK5 cardiod microphones in our usual spot, plus an Aeta PSP-3 preamp to provide optimum clarity. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Heartless Bastards
2016-05-10
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Live engineer: Ryan McHugh

Schoeps MK5c (at SBD, DFC, PAS bar)>KCY>Z-PFA>Aeta PSP-3>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, light compression)>Izotope Ozone 5
(EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 The Mountain
02 Gates of Dawn
03 Got To Have Rock N’ Roll
04 Black Cloud
05 Into the Light
06 Skin and Bone
07 Blue Day
08 Hold Your Head High
09 Hi-Line
10 Down In the Canyon
11 Gray
12 Only For You
13 Parted Ways
14 Sway
15 [encore break]
16 Low Low Low
17 Nothing Seems the Same

If you enjoyed this recording, PLEASE SUPPORT the Heartless Bastards, visit their website, and buy Restless Ones from Partisan Records.

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Woods: May 7, 2016 Music Hall of Williamsburg

May 9, 2016
By

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[photo courtesy of P Squared Photography]

At one point during this Woods show at Music Hall of Williamsburg, keyboard/sax player Kyle Forester remarked that North 6th Street in Brooklyn was like the “Broadway of shows.” Coming from the longtime New York musician, it was a statement both ironic and, weirdly, kind of true. It’s old news that what was once the epicenter of DIY has long-since ceded to luxury boutiques and corporate outposts, and, of course, Woods have been in the rotation at the city’s fancier clubs for some time now — we’ve covered them at Bowery Ballroom as far back as 2009, Music Hall as early as 2010. But there’s a message in there somewhere about the trajectory of this band versus their surroundings. Woods have never exactly been an overtly “anti-corporate” band — they simply haven’t played that game. Yet, to call them a “DIY” band understates the professionalism of what Jeremy Earl, as bandleader, has accomplished. If you compare the band that took the stage this Saturday to the one we saw at, say, Market Hotel in 2009, or now-defunct Monster Island in 2011, there is a “next level” that this band, and Earl’s vision, have reached without any of the negative trappings that tend to come with it. What you saw this past Saturday was a now-six-piece (seven when Cole Karmen-Green jumps in on trumpet) full-on spectacle of a rock band, creating some of the most musically complex work of their career.

The band was back in town after touring their latest and ninth album, City Sun Eater In the River of Light, and as tends to be the case with homecoming shows, they came ready to bring their best. The new material, with its sax, trumpets and Afro-Cuban style percussion, takes full advantage of the expanded band, with Aaron Neveu on main drums and John Andrews running a second kit and additional percussion. While this show reflected the new record’s relatively downshifted tempo and accessible, focused songwriting, Woods continued their tradition of adding new “jam songs” to the mix. In this case, that’d be “The Take,” which merge a 1970s Lauren Canyon vibe to the band’s trademark psychedelic sound. Likewise, “With Light and With Love,” from the band’s last album, continued its role as the band’s other longform offering, with a classic guitar freakout that gave Earl and Jarvis Taveniere the chance to fully stretch their wings. Not that the longtime fans weren’t taken care of by this set, either — among the band’s earlier tunes, the combo of “Suffering Season” and “Cali In A Cup” was there for the early decade stalwarts.

The band closed on the oldest number of the night, their cover of Graham Nash’s “Military Madness” from 2009’s Songs of Shame. We first recorded the band playing that song at that Market Hotel show in 2009, as ramshackle of an affair as this evening at Music Hall wasn’t. Since that time, that DIY club has closed and been reborn as a (mostly) grown-up venue, and Woods have produced an embarrassment of musical riches. In the end it isn’t the spaces in cities that matter, but what inhabits them. We continue to be grateful that Woods visits so many of ours.

I recorded this set from our usual spot in the venue, together with a direct feed of Kevin Mazzarelli’s flawless mix. The sound quality is outstanding. Enjoy!

Download the complete show from the Live Music Archive.

Woods
2016-05-07
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK41V (at SBD, DFC, PAS)>KC5>CMC6>Aeta PSP3>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, light compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:16:57]
01 Morning Light
02 Politics of Free
03 Leaves Like Glass>
04 Hollow Home
05 Sun City Creeps
06 The Take
07 [banter1]
08 Shepherd
09 Suffering Season>
10 Cali In A Cup
11 [banter2]
12 Creature Comfort
13 With Light and With Love
14 [encore break]
15 Moving to the Left
16 Military Madness [Graham Nash]

Band:
Jeremy Earl – vox / guitar
Jarvis Taveniere- guitar
Aaron Neveu – drums
Chuck Van Dyck- bass
Kyle Forester – keys / sax
John Andrews- percussion/ drums
Cole Karmen-Green – trumpet

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