24 search results for "Jeff Tweedy"

Wilco at Hammerstein June 25, 2007 – Lossless Download

June 26, 2007
By

What else can be said about the band that has produced the most consistently great music over the last 10 years of contemporary music. The new album has been called a “return” to a more traditional Wilco sound, but that’s not really accurate. Sky Blue Sky is yet another step in the maturation process of the band, and more particularly in Jeff Tweedy’s life and career. Its also the first album with Nels Cline as a full-time member, and as a result, the guitar work is rich and imaginative–particularly in “Impossible Germany”.

I’ve seen Wilco regularly since 1996, on about a dozen occasions, in every local venue from Mercury Lounge to Madison Square Garden, including recording one of the most famous of the early Wilco shows, February 15, 1997 at Irving Plaza. Wilco have never failed to deliver a top notch performance in my experiences, and Monday night at Hammerstein was no exception.

I recorded with band permission from a microphone stand in front of the soundboard booth. Although Hammerstein is a cavernous venue with much echo and boominess, the outstanding job by Wilco’s sound crew provided a PA signal with such remarkable clarity that I was able to capture a superb recording.

Direct download of FLAC files [HERE]

More about FLAC

Wilco
2007-06-25
Hammerstein Ballroom
New York, NY USA

Digital Master Audience Recording
Recorded from Front of Board Dead Center

Neumann KM-150’s (AK-50 Hypercardiod Capsules) > Apogee Minime > digital coaxial > M-Audio Microtrack > flac

Recorded and Produced
by nyctaper
2007-06-26

Setlist:
[Total Time 1:56:08]
01 You Are My Face
02 Side With the Seeds
03 Shot in the Arm
04 I Am Trying to Break Your Heart
05 Kamera
06 Handshake Drugs
07 Shake it Off
08 Hummingbird
09 Via Chicago
10 Jesus, Etc.
11 Hate it Here
12 Walken
13 I’m the Man Who Loves You
14 Poor Places
15 Spiders (Kidsmoke)
Encores
16 Impossible Germany
17 Sky Blue Sky
18 California Stars
19 War On War
20 Heavy Metal Drummer
21 I’m Always In Love
22 I’m A Wheel

As with all recordings posted on this site, please support this outstanding artist, visit Wilco’s website, and buy their commercial releases.

Wilco: June 29, 2019 Solid Sound Festival

July 15, 2019
By
photo by Qbertplaya

Pete reports:

“Saturday night’s show kicked off with “Hell is Chrome”. For me, Jeff could have said “Thanks and good night” and walked off stage after that, and I would have been satisfied. But the festivities continued with another AGIB entry (Muzzle of Bees) followed by a couple from YHF (IATTBYH and War on War), and back to AGIB’s “Company in My Back”. A few songs later, they debuted two brand new songs, “Empty Corner” (which had been featured earlier in the day in a surround sound installation at the museum) and “White Wooden Cross.” Overall, the Saturday night installment was classic, good-as-it-gets, Wilco fare. 24 songs, solid entries from the entire body of work, and a nice two-song encore to cap off the night. Absolutely electrifying, and exactly what one would expect from this band at their own festival in the Saturday night, beachfront real estate portion of the weekend.”

Pete recorded this show with the trusty Neumann cards from a very advantageous position at the Soundboard cage. The sound is superb, enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Wilco
2019-06-29
Solid Sound Festival
North Adams MA

Digital Master Audience Recording
Recorded at Soundboard Cage

Neumann KM-185s > Sound Devices 702 > 24bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar

Recorded by gr8fulpete
Produced by nyctaper

Setlist:
[Total Time 1:54:01]
01 Hell Is Chrome
02 Muzzle of Bees
03 I Am Trying to Break Your Heart
04 War on War
05 Company in My Back
06 I’ll Fight
07 Shouldn’t Be Ashamed
08 An Empty Corner
09 White Wooden Cross
10 Box Full of Letters
11 Remember the Mountain Bed
12 Hesitating Beauty
13 Bull Black Nova
14 Laminated Cat
15 Reservations
16 Side With the Seeds
17 Theologians
18 Someone to Lose
19 Impossible Germany
20 Red-Eyed and Blue
21 I Got You
22 Outtasite
23 [encore break]
24 A Shot in the Arm
25 [Glenn standing on drums]
26 I’m A Wheel

PLEASE SUPPORT Wilco, visit their website, and purchase their Star Wars and their other releases from their website [HERE]

NYCTaper Top 25 Moments of 2014

December 31, 2014
By

taper-larger

Here is our annual compilation of the 25 best “moments” of the entire year from our site to you. Its been another banner year at NYCTaper. We’ve managed to record and post nearly one show per day for the entire year and sometimes even more than one. Its a level of consistency for which we’ve striven for years and as the NYCTaper “team” has grown so has our ability to reach our goals. All of this would not be possible were it not for the bands — hundreds of amazingly talented artists who not only perform superb concerts but allow us to bring recordings of them to you, their fans. Thanks also of course to the venues who allow us to come into their locations and do what we do, the labels, managers, PR persons, photographers, fellow bloggers and countless other people whose assistance and cooperation help make this “NYCTaper” thing happen. Here’s to many more great years!

1. Jason Molina Tribute (mems. of Songs: Ohia and Magnolia Electric Co. w/ special guests) – January 11, 2014, Hideout, Chicago, IL

acidjack: For me, the most thrilling, moving concert moment came early in the year, and in another city, no less. Mike Taylor of Hiss Golden Messenger guested with Magnolia Electric Co. on four special tribute shows around the country, including this one, but it was in Chicago that the majority of Molina’s former bands and supporters coalesced into an evolving unit that traded and vocalists and instrumentalists by the song. As I put it then:

The crowd’s largest response came to perhaps Molina’s best-known song (and inarguably one of his best), “Farewell Transmission”. In that song, Molina sings that the real truth about it is that no one gets it right, but we’re all supposed to try. Well, if Jason could have heard his former bandmates and friends on this night, I think he would agree that they got it right. And they proved another piece of truth from that great song, that he will be gone, but not forever. Because the real truth about it is, a great artist like Jason Molina doesn’t die, he just changes shape. In our hearts and minds, he is forever.

2. Wussy: October 11, 2014 Private House Larchmont NY

nyctaper: Lisa Walker’s voice is one of the most compelling in all of contemporary americana music in large part because as a person she’s real and unpretentious. Its a voice that can capture the longing and heartache of a beautifully sad song such as Lisa’s penned “Motorcycle”. The experience of watching the performance of that song from about ten feet away in a private house concert was moving and is undoubtedly my single “moment” of this year.

3. Hiss Golden Messenger – March 2, 2014 Mercury Lounge and September 18, 2014 Rough Trade

acidjack: Mike Taylor, aka Hiss Golden Messenger, broke in a big way in 2014, one of the most deserving artists in all the land to do so. In early 2014 Mike still toured alone, able to afford to do little more than sling a guitar over his back. By the time he hit Rough Trade in September, he had a record out on Durham, NC stalwart Merge, and a backing band replete with new and old collaborators. Not long after that, he and his new band were on Letterman. These two shows pretty much tell the story in miniature, of a band transformed, but an artist whose honesty and craft remain steadfast.

4. The War On Drugs – March 19 and March 20, 2014 Bowery Ballroom.

acidjack: We’ll probably have similar takes on this show, so I won’t waste words, but suffice it to say that Lost In the Dream was the album of the year, and this show, complete with a cover of John Lennon’s “Mind Games”, showed any doubters that the album’s greatness wasn’t just in the painstaking production.

nyctaper: At the time it was released, I called “Eyes To The Wind” a perfect song and I still believe that nearly a year later. It was the highlight of this show for me and will be a track to which I return for years.

5. Woods: November 6, 2014 Death By Audio

nyctaper: 2014 was also a year to say goodbye to some places that meant a lot to NYCTaper over the years. Death By Audio was one of those venues and our last show at the venue was a special one. We’ve attended many Woods shows, and invariably the song that is often the centerpiece of the night is “Bend Beyond” — a terrific song that also offers the band a chance to stretch out and improvise. At this DBA show, Woods was reunited for one night with former member G. Lucas Crane whose preceding set transitioned into a Woods jam that evolved into this song. It was a fairly dramatic moment and was musically right there. A definitely highlight of the year.

6. Ryley Walker – September 6, 2014 Hopscotch Music Festival, Raleigh, NC and October 24, 2014 Rough Trade

acidjack: Ryley Walker seems poised for a similar trajectory to Hiss Golden Messenger — he’s an incinerating songwriter whose ability to make an emotional connection should bring him to many larger places. In a bit of a reverse of this year’s HGM experience, I saw Walker for the first time at Hopscotch Music Festival, backed by a full band on the broad stage of the Fletcher Opera Theater. A little over a month later, he was back on the road in his natural state, a man with his guitar (with upright bassist in tow for a few songs before he left for another gig). In my book, this “Summer Dress” from Rough Trade during CMJ blows away the full-band version — and that’s saying something.

7. Nicole Atkins: June 18, 2014 Madison Square Park

nyctaper: She put out one of the best records of the year, Slow Phaser, and by the time she and her new band returned to NYC, Nicole Atkins had found her live groove. This show at Madison Square Park was a strange one, with families on blankets, roaming kids, and what seemed like a never ending parade of police sirens. But for this one magical song, “Its Only Chemistry”, Nicole Atkins was the brightest light in this huge city park.

8. The Coup – March 13, 2014 South By Southwest

acidjack: Despite that SXSW has outstayed both its literal and cultural welcome, this day show, put on by our friend Steve, hearkened back to what it ought to be about. The bill had huge range, free tacos and beer were to be had, and people were there for music, not scenemaking. Boots Riley and his crew of left-leaning, hard-swinging, hip-shaking funk geniuses stormed the joint and never looked back.

9. Smashing Pumpkins: December 8, 2014 Webster Hall

nyctaper: A Smashing Pumpkins concert at a venue the size of Webster Hall is a special event in and of itself. But this year has been a productive one for Billy Corgan and his band. Their new album is Monuments to an Elegy is really quite excellent and the new touring band is a superb collection of pros. But the most memorable moment from this show for me was the finale — “Burnt Orange-Black” a powerful dirge that will appear on next year’s album. Its already a stunner and one of the best new songs we heard all year.

10. The Growlers: September 18, 2014 Bowery Ballroom

nyctaper: This show was fairly epic at two hours and it included nearly thirty distinct songs. But the highlight was the truly surreal mid-show appearance of two huge Chinese New Year’s styled dragons and a drum parade that entered through the back of the Bowery and worked through the packed crowd to the stage. The parade drumming transitioned into the titled track from The Growlers excellent new album Chinese Fountain, in what was an odd but very memorable moment.

11. Marah: July 12, 2014 Bowery Electric

nyctaper: A band with a ten year old prodigy that plays fiddle like a man five times his age would have to be a yearly highlight, but really Marah is much more than that. This show at Bowery Electric was a revelation and this performance of an old Marah song (when it was a completely different band) was one of the best things we saw all year particularly the sweet fiddle solo by Gus Tritsch and that moment when band leader David Bielanko realized in his mid-song monologue just exactly how special this band has become.

12. Yellow Ostrich – December 8, 2014 Glasslands

acidjack: This was one of those end-of-an-era shows in two ways — both the last by a beloved band, and in the final month of a venue where I spent a lot of time, Glasslands. We were sorry to see Yellow Ostrich go, but we’re glad they didn’t overstay their welcome. Alex Schaaf and his band exited at the top of their game, and we were honored to be part of it.

13. Dream Syndicate: November 16, 2014 Rough Trade

nyctaper: We’ve chronicled the solo career of Steve Wynn pretty regularly on this site, but I had personally not seen The Dream Syndicate in more than thirty years. The band’s reunion finally made it to NYC this Fall and it was certainly worth the wait. The last time I saw them, Dream Syndicate opened with “Tell Me When Its Over” and this past month it was the second song of the set and just as sweet.

14. Tweedy – June 7, 2014 Mountain Jam, Hunter, NY

acidjack: I had minimal hopes for this father-son band; nothing about nepotism tends to go well. But the Tweedy team proved doubters totally wrong, with a record that, if anything, exceeded Wilco’s recent output. The “band” debuted their entire new album for us on the Mountain Jam stage. Even if everyone wasn’t paying attention during that mid-afternoon set, the ones that mattered were.

15. King Gizzard and the Lizard Wizard: October 13, 2014 Baby’s All Right

nyctaper: When I hear music scene veterans claim that there’s just nothing new that exciting, I happily point to bands like King Gizzard. The band came all the way from Australia to perform some shows this Summer, and we caught one of those shows, but it wasn’t until this night at Baby’s All Right that the lure of the Gizz fully clicked for us. A youthful and energetic take on neo-psych, this band’s new album is extraordinarily good and for this night at Baby’s they opened the show with the five-song segue that opens the album — after which there was a lot of affirmative head-shaking in the crowd. The Gizz had arrived and we can’t wait until they grace our shores again.

16. Three Lobed / WXDU Day Show – September 5, 2014 Hopscotch Music Festival

acidjack: I might as well just put this on my list for every year — this showcase, jointly produced by Three Lobed Recordings and the Durham, NC radio station WXDU, produces the most consistently incredible lineup of challenging music that I see. This year’s lineup boasted The Little Black Egg Big Band (featuring Steve Gunn, William Tyler and members of Yo La Tengo), MV & EE, Rose Cross North Carolina, Sunburned Hand of the Man, Thurston Moore/Mary Lattimore/Ryan Sawyer, and Daniel Bachman/Nathaniel Bowles. Beyond the quality of the music, the show always brings its own special crowd, the die-hards and the heads whose lack of strength is numbers is more than made up for in passion.

17. Yo La Tengo: December 6, 2014 Trocadero Philly

nyctaper: I traveled to Philly to catch my only Yo La Tengo show this year, and of course it was infinitely worth it. But what separated this show from the “standard” YLT show was the ferocious and simply awe-inspiring version of “Story” that closed the set. The guitar-crushing noise jam that concludes the song stretched the entire number to twenty-two minutes and elevated this to epic proportions. The was the band’s last show of their 30th anniversary tour and they ended it in very appropriate fashion.

18. Steve Gunn – October 12, 2014 Rough Trade

acidjack: Steve Gunn’s name always comes up among the biggest names in current American guitar music. What he accomplished with this year’s “Wildwood” took him beyond those confines, as the wider world began to view him as equal in his songwriting to what he had been recognized for on the guitar. This show at Rough Trade put that all on display, as Gunn and his band didn’t let a grueling slog up the East Coast keep them from giving a signature performance.

19. The Kickback: June 10, 2014 Pianos

nyctaper: There are very few times when I can confess to literally gasping at a live performance. The Kickback came to town for the New Music Festival and Jeff from the Syndicate recommended that I check them out. The band was quite good but it was the last number of their set that took this show to entire other level. Billy Yost’s intensity during “Rob Our House” was as breathtaking as it was simply pure rock excellence. Based on this show we invited the band to play our CMJ show where they again played one of the best sets we saw all year.

20. Strand of Oaks – December 4, 2014 Bowery Ballroom

acidjack: Tim Showalter is one of those almost comically earnest musicians, a man whose heart is as big as his sound. Strand of Oaks isn’t a new band, but it might as well be, given how meteoric Showalter’s rise has been this year. He started the year at Mercury Lounge and ended it at Bowery Ballroom, and the ceiling is far from there. Strand of Oaks has that mainstream approachability and big tent emotion that serves rock colossuses like U2 so well, but Showalter actually believes what’s coming out of his mouth.

21. PUP: February 21, 2014 Cameo Gallery

nyctaper: A long time ago, I was suspended for a week from the college radio station where I worked for playing the Dead Kennedys’ “Too Drunk To Fuck” on the air. Given the times and my position, it was a fair cop. I’m happy to still be around when the song is now a quaint old punk novelty and can be played by a band with a sense of humor and a sense of history with no repercussions whatsoever. PUP’s performance gave me a big smile to cap off an excellent night.

22. Spacin’/Purling Hiss – September 5, 2014 Hopscotch Music Festival

acidjack: Two of our favorite Philly bands formed an impromptu whole to replace someone I’ve already forgotten about on the end of this bill. While Mark Kozelek was being a dick over in the Lincoln Theatre on this night, those in the know caught this juggernaut (joined, just for good measure, by Steve Gunn and Mary Lattimore on the last song) playing real rock n’ roll that no crowd noise could keep down.

23. Hurray For The Riff Raff: July 26, 2014 XPonential Fest

nyctaper: acidjack and I went down to Camden for the Saturday of XPonential Fest and it was one of the best days we had all year. Its a great event and we’re hoping to do multiple days of XPN’s Fest in 2015. One of the reasons we made the trip was to see NYCTaper faves Hurray For The Riff Raff. The band continues to grow in stature and its fun to follow their ascent. “The Body Electric” is a song Alynda wrote as an “anti” murder ballad — the shaming of the idea that in traditional folk songs the protagonist is always the man killing a woman. The song was particularly poignant in a year when domestic violence was in the forefront of the news. The song’s powerful message earned it significant media attention including year end awards from the likes of NPR.

24. Herbcraft – January 24, 2014 Mercury Lounge

acidjack: I had no idea who Herbcraft even were when I arrived at this show, and barely got my recording equipment set up in time. They weren’t even the headliner. But what came next was no afterthought — this Woodsist band owned the stage, proving the real power of live music to expose you to new music in a way that clicking around on Spotify will never be able to top. Perhaps most notably, this post got several comments from people who felt the same way — that they couldn’t believe this band had slipped underneath their radar.

25. Dva – January 9, 2014 Trans Pecos

nyctaper: I attended this concert on the recommendation of Adam from Northern Spy and I’ll admit that I had no idea what to expect. At the end of the event, I was thanking Adam for inviting me because Dva is an amazing act and their live show has to be seen to be truly experienced. “Mulatu” was the first single from this Czech duo’s first US release and it encapsulates everything that’s great and interesting about Dva.

Yo La Tengo: December 16, 2013 Bell House – Flac/MP3/Streaming

December 24, 2013
By

yo-la-tengo17
[photos by PSquared Photography]

The final night of these long runs of shows by Yo La Tengo are always the most bittersweet nights. Throughout the week of the shows, we fall into a kind of change of lifestyle during these periods — get through the work day, get to the venue, and then inside the little cocoon of the show. Its a bit of a fantasy world, and by the time of the last show we’re tired, happy for the experiences and perhaps a little nostalgic for what’s soon to end. The band generally saves some special treats for the closer and on the fourth and final night of the Bell House it was no different. From our perch adjacent to the VIP area, we could see that the Kaplan and Hubley extended families were out in full and this added a bit of “old home” to the performance. We felt that the more personal lyrics were especially heartfelt — “Our Way To Fall” and “The Point of It” were particularly solid versions of those songs. But for those of us who’d weathered the snow and the travel and put off whatever we had going on in our lives for four consecutive nights, Ira dedicated the infrequently-performed older number “Satellite”. The song had been requested earlier in the week by one of those every-show guys (our friend from the “Laz Archives“) and we were happy to see him get mention from stage. We’re streaming that song below. For the electric set, once again the band held back nothing and marched full energy through ninety minutes of noisy goodness. This show the set closer was “Blue Line Swinger”, which at fourteen minutes was not the longest version we’ve seen but it was certainly one of the tightest. My own personal highlight of the evening and of perhaps the entire run of shows came as the encore set began — a raging cover of Neil Young’s “Time Fades Away” which featured the shared riffs of Antietam’s Tara Key on guitar. And as she has often, Marilyn Kaplan closed the set and the week with her annual appearance with her son’s band to sing “My Little Corner of the World”. While the Bell House isn’t Maxwell’s, the venue certainly offers a number of charms that we hope make it become the “corner of the world” that hosts future Yo La Tengo shows, perhaps even next year’s Hanukkah celebration. We shall see.

I recorded this set in the same manner as the recording posted for December 14 and the sound quality is equally superb. Enjoy!

Stream “Satellite”:

Stream “Time Fades Away”:

Download the Complete Show [MP3] / [FLAC] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

yo-la-tengo60

Yo La Tengo
2013-12-16
Bell House
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard (engineer Mark Luecke) + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 50:17]
01 Ohm
02 Our Way to Fall
03 When It’s Dark
04 Is That Enough
05 [banter – trends]
06 Butchie’s Tune [Lovin Spoonful]
07 The Point of It
08 Cornelia and Jane
09 I’ll Be Around
10 Satellite
11 Big Day Coming

Set 2
[Total Time 1:33:28]
12 Stupid Things
13 Let’s Save Tony Orlando’s House
14 Outsmartener
15 Super Kiwi
16 Autumn Sweater
17 Before We Run
18 Deeper Into Movies
19 From a Motel 6
20 Ohm (electric)
21 Blue Line Swinger
22 [encore break]
23 Time Fades Away [Neil Young]
24 [banter]
25 By the Time It Gets Dark [Sandy Denny]
26 My Little Corner of the World [Pockriss – Hilliard]

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade and its related special releases from Matador Records [HERE].

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.