294 search results for "Hum"

[photo credit]

The last time we saw Kimya in January at Southpaw, she was just beginning to ride the wave of Juno-created popularity. At that show, she expressed some trepidation about the sudden burst of exposure, but still managed to maintain her unique genuine persona. Less than three months later, after an appearance on The View and the Academy Awards performance, Kimya sold out Webster Hall — a venue roughly 5 times the size of Southpaw. Long-time fans approached this appearance with some concerns that such rapid success had effected Kimya.

Any lingering doubts about the integrity of this performer were gone within minutes of the beginning of Sunday night’s performance. As she took the stage, Kimya slipped and nearly fell over, and as she giggled, any tension or pressure was broken for the night. What followed was perhaps the greatest performance of her decade-long career — a nearly two-hour display of humor, charm and powerful songs. Kimya worked through a vast majority of her material, including the now-familiar mini-set of new children’s songs. She performed most of the set with the accompaniment of Matt and Erin Tobey on an assortment of instruments and backing vocals. For this concert, the array of “Loose Lips” stage dancers was actually an organized costumed and choreographed troupe of Kimya’s friends. The night came to fitting close with the mock-finale of “Tomorrow” — the performer’s future as bright as ever.

We recorded from an excellent location in this venue, but unfortunately the sound levels were just far too low. The sound technicians were apparently not able to provide the proper volume without guitar distortion, and did not provide a clean signal. There was a noticeable hiss in the main speakers. As a result, this recording is a genuine low-fi capture of this concert, albeit one true to the sound of the room. Enjoy this superb and unique performer in her low-fi glory!

This recording is now available for Download in FLAC and MP3 at Archive.org [HERE].

Kimya Dawson
2008-04-06
Webster Hall
New York, NY USA

Digital Audience Master Recording
Recorded from Front of Board on Floor
30 Feet from Right PA Stack

DPA 4021s > Marantz PMD-660 (Oade BCM Mod) > 16bit 44.1kHz wav > Soundforge (level adjustments, modify close clapping, set fades) > CDWave 1.95 > Flac Frontend (level 7, align sector boundaries)> flac

Recorded and Produced by
nyctaper
2008-04-07

Setlist:
[total time 1:44:26]
01 Eleventeen
02 Rocks With Holes
03 Fire
04 Chemistry
05 Lullaby For The Taken
06 My Mom
07 Underground
08 Viva La Persistence
09 My Heroes
10 Singing Machine
11 Secret Letters (Erin Tobey solo)
12 Little Monster Babies
13 Bobby-O
14 Seven Hungry Tigers
15 Alpha Butt
16 I Like Bears
17 I’m an Animal
18 Weatherman
19 [Matt Tobey solo]
20 [Matt Tobey solo]
21 Being Cool
22 It’s Been Raining
23 Beer
24 Loose Lips (with a verse of “Private Dancer”)
25 The Greatest Love of All (acapella)
26 My Rollercoaster
27 Tire Swing
28 I Have Changed
29 Little Panda Bear
30 I Like Giants
31 [encore break]
32 Tomorrow (“Annie”)

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Kimya Dawson, visit her website, visit her livejournal page, and purchase the her official releases directly from her site, or the K Records site.

[photo courtesy of Matt Bologna]

It has not been since our very first Bjorkestra experience at the late great Tonic club, that we’ve experienced this orchestra in a real jazz club. Monday night at Jazz Standard, Travis Sullivan and his superb band of musicians celebrated the release of their new CD Enjoy on Koch Records. We were invited to attend and record the late show. Bjorkestra delivered a stunning display of both orchestral interplay and individual improvisation within the structure of Travis’ unique arrangements of Bjork’s material.

Our close proximity to the stage gave us a special view of the interplay between the musicians and the pleasure that each player seemed to derive from the performance. Our recording reflects some of that joy, as the humor and banter is evident. Our belief in the strength of the performance we had just experienced was confirmed when Travis remarked to us after the show about the power of the set.

This is an outstanding clear recording, as our position gave us a direct line to the band. Much of the amplification of sound on the recording is directly from the instruments themselves. We mixed in a small amount of vocals from the soundboard feed to compensate for the volume of the instruments on stage. Minor quibbles exist for the clinking and clanking of food plates in this dinner club, and some balancing that was necessary in the first minute of the recording. Otherwise, its a tremendous listen. Enjoy, indeed!

There are three older Bjorkestra recordings archived on nyctaper (here) (here) and (here).

Download the Complete show in FLAC [HERE].

Travis Sullivan’s Bjorkestra
2008-02-25
Late Show
Jazz Standard
New York, NY USA

Digital Master Recording
Audience/Soundboard Matrix

Soundboard + Upfront Neumann KM-150s > Edirol UA-5 (Oade Digimod) > digital coaxial > M-Audio Microtrack 24/96 > 24bit 48kHz wav file > Soundforge (set fades, downsample) > CD Wave 1.95 > Flac Frontend (level 7, align sector boundaries) > flac

Many thanks to Travis for permission to record.

Recorded and Produced
by nyctaper
2008-02-26

Setlist:
[Total Time 1:09:22]
01 Joga
02 Army of Me
03 Cocoon
04 Pluto
05 All is Full of Love
06 [band introductions/banter]
07 Human Behavior
08 Its Oh So Quiet

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Travis Sullivan’s Bjorkestra, visit their website, and purchase Enjoy directly from Bjorkestra or the Koch label.

For our California readers, Bjorkestra will be on tour in the following places next month:

Date City Venue
Wed 03/05/08 Santa Cruz, CA Moe’s Alley
Thu 03/06/08 San Francisco, CA Yerba Buena Center For The Arts
Fri 03/07/08 Sacramento, CA Harlow’s Night Club
Sun 03/09/08 Los Angeles, CA Safari Sam’s
Tue 03/11/08 Santa Barbara, CA Soho Restaurant & Music Club
Wed 03/12/08 San Diego, CA Anthology

[photo courtesy of Jason Bergman Photography]

There has been so much written about Justin Vernon’s outstanding Bon Iver project and the story behind For Emma, Forever Ago, that I have no intent to repeat. Last night, Justin provided a live glimpse into what makes these basic songs so compelling — his ability to capture the simple aspects of life with poignant humor and charm, and present it within a basic band structure.

This week, Emma was released on the Jagjaguwar label, and one would expect the beginning of the blogger backlash. This might be the fate of an artist whose hype exceeds the talent, but Bon Iver heartily deserves the last six months of praise. If a live performance is the ultimate expression of a musician’s artistic value, then Glasslands was the proof positive that Justin is the real deal. He handled the huge crowd, some technical problems, and the weight of expectations with grace and fortitude.

At nyctaper, we consider ourselves quite fortunate to see live performances of such quality. We are doubled blessed when the artist and the management afford us authorization and guest list access. Bon Iver gave us all three, and we offer much thanks for this courtesy, and as well we thank the staff of Glasslands.

We placed our microphones in the same location as our last Glasslands recordings (Avey Tare/Deakin/Kria [here] and Rings [here]), and in order to avoid the persistent crowd chatter and bar noise, we brought along hyper uni-directional microphones. We were also given access to the main mix of the soundboard to capture a “matrix” recording. Unfortunately, we didn’t trust our room equipment enough, and relied a bit too heavily on the board mix. As a result, the mix is not properly balanced, and there is quite a bit more kick-drum in the mix particularly during louder moments. We do believe this is still an excellent recording, but offer it to our readers with the knowledge that should have done better. Enjoy!

Black Mountain was also recorded and will be offered in the coming days.

Download the Complete show in FLAC [HERE].

Bon Iver
2008-02-23
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard/Audience Matrix

Soundboard + Front of Board Neumann KM-150s > Edirol UA-5 (Oade Digimod) > digital coaxial > M-Audio Microtrack 24/96 > 24bit 48kHz wav file > Soundforge (set fades, downsample) > CD Wave 1.95 > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper
2008-02-24

Setlist:
[total time 37:33]
01 [introduction]
02 Flume
03 Lump Sum
04 [banter]
05 The Wolves (Act I and II)
06 Blindsided
07 For Emma

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Bon Iver, visit his myspace page, and purchase Emma directly from the label.

[photo credit]

Calvin Johnson made a rare but very welcome NYC appearance on Sunday afternoon at the intimate Bowery Poetry Club. At a venue of this nature, Calvin’s sublime personality and dry humor were on intimate display and his songwriting gifts were evident. At the merch table before and after the show he greeted and charmed all comers, and offered a full array of his eclectic catalog. The one-hour performance contained highlights from his solo records, several new numbers, and one Beat Happening song.

The attempt to capture a recording of this event proved extremely difficult. We set up about 30 feet from the stage which was a mistake — we needed to be much closer.  Calvin performed with one microphone in the middle of the stage, and his frequent movements created fluctuations in volume.  Additionally, the quiet of the music was often interrupted by loud sounds from the bar, the audience, and a loud rotating fan. Fortunately, the fan was shut off at Calvin’s request twelve minutes into the show.

As a result, the raw audience recording of this concert was nearly unlistenable. We were extremely fortunate to have met with punkcast.com after the show, and arranged to combine punkcast’s mono soundboard feed with our audience recording. After many hours with the files in Soundforge, we mixed the audience and soundboard sources and edited many of the flaws of the recording. Ultimately, what is offered here is far from perfect, but is a significant improvement from the initial recording. We offer many thanks to punkcast for his generosity, and of course many thanks to Calvin and Chad from dubnarcotic.org for permission to record.

Download the Complete show in FLAC [HERE].

Calvin Johnson
2008-02-17
Bowery Poetry Club
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard > mono feed > MD + Front of Board Audience Master (30 Feet from Stage)
DPA 4021s (6 ft Stand) > Apogee Mini-Me > M-Audio Microtrack 24/96 > 24bit 48kHz wav files
Matrix Mix:
Soundforge (resample, level adjustments, sync + mix audio sources) > 16bit 44.1kHz wav file > CDWave > Flac Frontend (level 7, align sector boundaries) > flac

Soundboard Recorded by punkcast
punkcast.com
Audience Recorded by nyctaper
Produced by nyctaper

Setlist:
[total time 1:02:05]
01 When You Are Mine
02 Moaning
03 [banter]
04 Rabbit Blood
05 Hurrying on to Something
06 Sitting Alone At The Movies
07 I’m Down
08 Your Eyes
09 Can I Ask You Something
10 Drive Me Good and Crazy
11 [banter]
12 Apple to the Core
13 Ride With Me
14 [banter]
15 Wrap Me in Cotton

If you email nyctaper to download this recording, PLEASE SUPPORT this outstanding artist and visit Calvin’s website, visit the amazing K Records site, and purchase Calvin Johnson’s official releases (here).

[photo credit]

moe.’s annual New Year’s warm-up gig was an intimate affair at a packed Irving Plaza. The special surprise guest was the (former) Allman Brothers legend Dicky Betts, who guided the band through an epic In Memory of Elizabeth Reed before joining in during Al Schnier’s Allmans-like Mexico.

This recording was made from the perfect location in this venue, and should be better than it is. In December, I sent my Neumann microphones to be serviced, and have used the DPA microphones exclusively. The quality of the two sets is fairly similar, but the Neumann’s have a -10db pad for situations like this concert. The sound in the venue was quite powerful and overwhelmed the DPA > Apogee system. I used the “soft-limiter” to prevent distortion, but during louder moments the sound is still “crunchy”. The problem was significantly reduced during the 2nd set. During quieter passages, particularly in Set 2, this recording is absolutely superb. Enjoy!

This recording is now available for download in FLAC and MP3 at Archive.org [HERE].

moe.
2007-12-30
Irving Plaza
New York, NY USA

Digital Master Audience Recording
Recorded from Front of Board
Dead Center approximately 40 feet from the stage

DPA 4021s (9 ft Stand) > Apogee Mini-Me > M-Audio Microtrack 24/96 > 24bit 48kHz wav files > Soundforge (set fades, balance levels, dither, downsample, patch) > CDWave 1.95 > Flac Frontend (level 7, align sector boundaries) > flac

*crossfade 1 minute and 10 seconds of patch material from an alternate recorder in the middle of Buster (thanks Eric)

Recorded and Produced by
nyctaper
2008-01-05

Setlist:
Set 1
[total time 1:02:44]
01 Stranger Than Fiction
02 Runaway Overlude
03 Captain America
04 Seat Of My Pants
05 Sensory Deprivation Bank
06 Timmy Tucker

Set 2
[total time 2:05:25]
01 Opium
02 In Memory Of Elizabeth Reed
03 St. Augustine
04 Where Does the Time Go?
05 Mexico
06 [encore break]
07 Spaz Medicine
08 Buster
09 Spaz Medicine

If you download this recording, PLEASE SUPPORT moe. and visit their website.
and purchase their latest official release:

The New York Dolls reunion is another one of those unlikely-but-true rock stories with a bittersweet happy ending. The band performed two nights at Irving this week, and while Syl Sylvain and David Johansen look fit and sang and played with focus, its hard to watch this band without realizing that its rhythm section and lead guitarist are no longer with us. The Dolls paid a fine tribute to Johnny Thunders when Syl pointed out Johnny’s daughter in the balcony before the dedication of Johnny’s classic “You Can’t Put Your Arms Around a Memory” segued neatly into his Dolls composition “Lonely Planet Boy”. David also dedicated “Private World” to the late bassist Arthur Kane. While the “new” band members are unfamiliar, their instrumental backing was superb. All the classics were performed along with some of the numbers from their excellent new release.

The recording was made from the ideal location at this venue, and the sound quality is outstanding. Enjoy!

This recording has been removed from nyctaper. Although we have not been contacted by NY Dolls or their representatives, it was announced on January 17, 2008 that portions of these two nights would appear on a live release (here). Please support NY Dolls and purchase the official version of these outstanding concerts.

New York Dolls
2007-12-29
Irving Plaza
New York, NY USA

Digital Master Recording
Recorded from FOB Center
Dead Center 30 Feet from PA

DPA 4021’s > Marantz PMD-660 (Oade BCM) > 16bit 44.1 wav > Soundforge (set fades, level boost, slight eq) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Premiere Download offered at
https://www.nyctaper.com
nyctaper@nyctaper.com

Recorded and Produced by
nyctaper
2007-12-30

Setlist:
[Total Time 1:31:28]
01 Looking For a Kiss
02 Puss ‘N’ Boots
03 We’re All In Love
04 Piece of My Heart
05 Pills
06 Dancing on the Lip of a Volcano
07 Private World
08 I Aint Gonna Eat Out My Heart Anymore
09 Rainbow Store
10 Babylon
11 Plenty of Music
12 Human Being
13 You Can’t Put Your Arms Around a Memory
14 Lonely Planet Boy
15 Who Are the Mystery Girls?
16 Dance Like A Monkey
17 Trash
18 Jet Boy
19 [encore break]
20 Personality Crisis
21 Gotta Get Away From Tommy

CD Cover Artwork (Thanks JohnE!):
coverart

Information:
txt file

Verification:
md5 file

If you download this recording PLEASE SUPPORT New York Dolls and visit their website.

[photo credit]

Ted Leo and the Pharmacists are going on a two-year hiatus when their current tour ends this week. In their last show in NYC Wednesday night in Brooklyn, Ted and company ripped through two hours of a high-energy career retrospective. The 2007 release Living With The Living is one of the best albums of the year, but it did not dominate the setlist. Rather, Ted and the Pharmacists drew from all the releases, and included several covers including a dead-on solo version of Graham Parker and The Rumour’s “Passion is No Ordinary World”.

I recorded from the perfect location, and was unimpeded by any significant crowd disruptions (there were several upfront). nyctaper is quite pleased with the quality of this recording. Enjoy!

This recording is now available to download in FLAC and MP3 at Archive.org [HERE].

Ted Leo and the Pharmacists
2007-12-05
Music Hall of Williamsburg
Brooklyn, NY USA

Digital Master Recording
Recorded from FOB
Dead Center 30 Feet from PA

DPA 4021’s > Marantz PMD-660 (Oade BCM) > 16bit 44.1 wav > Soundforge (set fades, level boost, slight eq) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper
2007-12-06

Setlist:
[Total Time 1:49:24]
01 [reggae jam]
02 The Sons of Cain
03 Me and Mia
04 Army Bound
05 The Angel’s Share
06 Old Souls Know
07 Where Have All The Rude Boys Gone
08 I’m a Ghost
09 Annunciation Day
10 Born On Christmas Day
11 Bomb.Repeat.Bomb
12 [banter]
13 Counting Down The Hours
14 Little Dawn
15 Colleen
16 [banter]
17 A Bottle Of Buckie
18 [banter]
19 Parallel Or Together?
20 Who Do You Love?
21 The Unwanted Things
22 C.I.A.
23 [banter]
24 Loyal To My Sorrowful Country
25 [encore break]
26 Rave On (Buddy Holly)
27 Passion is No Ordinary Word (Graham Parker)
28 Timorous Me
29 Biomusicology
30 Rappaport’s Testament: I Never Gave Up (Chumbawamba)

If you download this recording, PLEASE SUPPORT Ted Leo and visit his website.

[photo credit]

2007 has been an excellent year for Richard Hawley. His outstanding new release Lady’s Bridge has appeared on nearly every Best of 2007 list, and last night he began a triumphant return to the US with a sold-out concert at Bowery Ballroom. Hawley worked through a tight set of primarily Lady’s Bridge and Coles Corner material with confidence, and he entertained with quite humorous between-song banter. The closing number, “The Ocean”, reached a remarkable crescendo and featured some outstanding Hawley lead guitar work. The US tour continues through December with dates in Philadelphia, Toronto, Chicago, LA, and San Francisco, with a British tour planned for February of 2008.

This recording was made from the ideal location at this venue, in the center of the floor. While there is a minor amount of chatter from the sold-out crowd, the results are superb.

Hawley’s management responded to a pre-show email request to record. While permission was not granted, the response said “its your choice if you bring it [a recorder] or not”, which indicated a resigned ambivalence to the idea of a fan recording. nyctaper posts this recording in the spirit of fostering a positive relationship between Hawley and his fans, and also with the intent of exposing this amazing talent to readers of this site who may not be familiar with his work. As our disclaimer states, any recording will be removed immediately at the request of an artist. We hope that Richard Hawley will allow this recording to remain at nyctaper when the good intentions and positive mission of this site are understood.

Direct Download of the complete show in FLAC [here] and MP3 [here].

Richard Hawley
2007-12-01
Bowery Ballroom
New York, NY USA

Digital Master Recording
Recorded from FOB
Dead Center 20 Feet from PA

DPA 4021’s > Marantz PMD-660 (Oade BCM) > 16bit 44.1 wav > Soundforge (set fades, level boost, slight eq) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper
2007-12-01

Setlist:
[Total Time 1:27:22]
01 [introduction]
02 Valentine
03 Roll River Roll
04 Just Like the Rain
05 Dark Road
06 Coles Corner
07 Tonight The Streets Are Ours
08 Lady’s Bridge
09 Hotel Room
10 Serious
11 Darlin’ Wait For Me
12 Our Darkness
13 The Sea Calls
14 Born Under A Bad Sign
15 Something Is…!
16 I’m Looking For Someone To Find Me
17 [encore break]
18 Tonight
19 The Ocean

If you download this recording, PLEASE SUPPORT Richard Hawley and visit his website.

[photo credit]

Yo La Tengo appeared Friday night at the Music Hall for the final night of their “Freewheeling Tour”. The band fielded questions, requests and general banter from the audience, and responded with humor and some interesting song selections and performed a primarily acoustic concert. The highlights included Georgia’s beautiful cover of Dylan’s 4th Time Around, and the humorously persistent audience member’s request for Blue Line Swinger–which was eventually granted (Ira: “Is that Fred Armisen?”).

The recording of this concert was a difficult affair. This was my first event at the Music Hall, and I gravitated towards the balcony for a better view and more direct line to the PA speakers. Unfortunately, the acoustic nature of the concert, drastic variations in volume, and the inattentive nature of the balcony crowd created certain impediments to a clear recording. At times, this recording can be outstanding, at other times, the stage volume is too low and the ambient noise too great. Overall, its a nice listen of an interesting concert, and the apparently the only circulated recording of this mini-tour. Enjoy!

Yo La Tengo
2007-11-16
Music Hall of Williamsburg
Brooklyn, NY USA

Digital Master Recording
Recorded from Balcony Railing Left
15 Feet from Left PA Speaker

DPA 4021’s > Marantz PMD-660 (Oade BCM) > 16bit 44.1 wav > flac

Recorded and Produced by
nyctaper
2007-11-17

Setlist:
[Total Time 1:56:04]
01 Introduction
02 The Weakest Part
03 Moby Octopad
04 [questions and banter]
05 Sometimes I Don’t Get You
06 Deeper Into Movies
07 [questions and banter]
08 I Don’t Want to Spoil the Party
09 Tom Courtenay
10 [questions and banter]
11 Magnet
12 The Summer
13 [questions and banter]
14 4th Time Around
15 [questions and banter]
16 Looney Tunes
17 [questions and banter]
18 Black Flowers
19 [questions and banter]
20 Dreaming
21 [questions and banter]
22 Blue Line Swinger
23 [questions and banter]
24 Hanky Panky Nohow
25 [questions and banter]
26 Somebody’s Baby
27 Griselda
28 The Story of Yo La Tango
29 You Can Have it All
30 [encore break]
31 Stockholm Syndrome
32 Big Day Coming
33 Flowers of the Forest

If you download this recording PLEASE SUPPORT Yo La Tengo. Visit their excellent website.