30 search results for "Ryan jewell"

Ryley Walker: September 12, 2021 Tubby’s (Kingston, NY)

November 1, 2021
By

Since my last post here (on March 9, 2020) New Yorkers have sought refuge in all kinds of places and a bewildering number of distractions. Vinyl record sales surged even more, Instagram overflowed with DIY baking, sedentary people discovered hiking, gym rats discovered the joys of being sedentary. New Yorkers moved to the Hudson Valley, New Jersey, Florida or farther-flung destinations.

Ryley Walker ended up in Vermont, running his nascent but growing label, Husky Pants and, as is his norm, recording and releasing a slew of new music. Course In Fable, the follow-up to 2018’s Deafman Glance, represents another stunning evolution in his sound. Prog-rock courses through its compositions, recorded with pristine sonics by Tortoise vet John McEntire. If anyone worried whether Ryley’s first post-sobriety album would lose the magic of his blurrier past, the answer is not only no, but the exact opposite. This is Walker’s most self-possessed work to date, bringing all of collaborators Ryan Jewell, Andrew Scott Young, and Bill McKay’s musical strengths firmly under one voice, with lyrics that can be evocative but obtuse as well as devastatingly direct. If Course In Fable is remembered as the finest album of Walker’s career, it will be worthy of the title.

It made sense to see these songs in the tiny but welcoming back room of Tubby’s, a venerable Kingston bar reinvented as a serious live music venue. The space itself feels like a refuge; its size compels an intimacy and familiarity that have been hard to come by for most of us in this part of the world recently. I’m not sure I’ve been to another venue of its size that has bookings at the level they do, and I hope Tubby’s keeps it up.

This show featured most of the Course In Fable lineup, with Walker joined by Jewell and Young, and the trio moved through this set of later-period (Course and Deafman Glance) tunes with aplomb. The Course tunes stayed fairly true to their original arrangements, with “The Halfwit In Me” serving as the 18-minute improvisational centerpiece of the set. While I’d love to hear some of those talents applied to the live new songs eventually, for this go, the thrill came in hearing the original arrangements live in a room, that special kind they were written for.

Ryley is on a west coast swing right now, and will be back east supporting Dinosaur Jr. to close out the year, followed by… well, his usual slew of tour dates in 2022. Just how it should be. See his tour dates here.

This recording was an extra-special collaboration between Kliked and I, using a combination of my Schoeps omnidirectional mics up front, his MBHO’s at the soundboard, and Zoots’ feed of the (mostly) vocals. The sound quality is excellent. Enjoy!

Download the recording at the Live Music Archive [MP3] | [FLAC]

Ryley Walker
2021-09-21
Tubby’s
Kingston, NY  USA

Recorded and produced by Kliked and acidjack

Source 1: Schoeps MK5o>KCY>Z-PFA (stage lip, PAS)>Sound Devices MixPre6Source 2: MBHO 440 (at SBD) + Soundboard (engineer: Zoots)>Sound Devices MixPre3
Source 1 24/48 WAV + Source 2 24/48 WAV>Audacity (time align, EQ, fades, tracking, limiter, compression)>24/48 WAV>FLAC ( level 8 )

Personnel:
Ryley Walker
Ryan Jewell – Percussion
Andrew Scott Young – Bass

Tracks [Total Time:59:28]
01 Striking Down Your Big Premiere
02 Rang Dizzy
03 [banter1]
04 Opposite Middle
05 [banter2]
06 Telluride Speed
07 [banter3]
08 The Halfwit In Me
09 [banter4]
10 Shiva With Dustpan
11 [banter5]
12 22 Days

Please support Ryley Walker: [bandcamp] | [website]

Chris Forsyth: August 4, 2021 Sultan Room

August 15, 2021
By
Photo by nyctaper

Chris Forsyth returned to live performance in the most exactly perfect way possible. Like most performers, he hasn’t played a proper show in more than a year, but for his two-show return last week, Chris compiled an incendiary quartet of top notch musicians, all of whom are quite familiar to these pages. Tom Malach is a founder and lead guitarist of site favorites Garcia Peoples, Ryan Jewell has appeared here about a dozen different formats, mainly with Ryley Walker, and Doug McCombs has appeared here with the seminal Tortoise and with his Brokeback project. Forsyth himself has appeared many times on this site, and always brings the goods. But this show was an entirely different animal.

If this performance was an indication, Chris Forsyth emerged from lockdown with well honed new material and having maintained the precision of his playing. The quartet that performed at Sultan Room last week (and Philly the following night) were tight, focused, and thoroughly in sync. The four new songs (and new cover) were presented in almost completed form (except for the working titles) and as if these four musicians had been playing the compositions regularly. That is to say that this show flowed from start to finish and left the boisterous and rapt crowd frankly stunned at the quality of the performance.

I recorded this set with the outdoor-friendly large diaphragm Neumann microphones set up front and center of the stage and mixed with a soundboard feed provided by the most excellent Imoni Cole Palmer. I’m extremely pleased with the quality of this recording and hope you enjoy as much as the sold out crowd and I did that night.

Chris Forsyth is returning to the West Coast for a show on October 9, 2021 at the Crystal Cavern in Oakland. The band will include Doug McCombs and Ryan Jewell. This is Chris’s first show in California since 2014. Tickets are available [here].

Download the Complete Show in MP3 and FLAC at Archive.org [HERE]

Stream the Complete Show:

Chris Forsyth
2021-08-04
Sultan Room
Brooklyn NY

Digital Master Recording
On Stage Audience + Soundboard

Neumann TLM-102 Large Diaphragm Cardioids + Soundboard > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 57:19]
01 You’re Going to Need Somebody [Richard Thompson]
02 Tomorrow Might as Well Be Today
03 Mystic Mountain
04 Blackbird Jungle*
05 Experimental Professional

Set 2
[Total Time 1:02:48]
06 Dreaming in the Non-Dream
07 [band introductions]
08 Dream Song
09 Evolution Here I Come*
10 Robot Energy Machine*

*working title

Band:
Chris Forsyth: guitar
Tom Malach: guitar
Doug McCombs: bass
Ryan Jewell: percussion

PLEASE SUPPORT This Artist: Chris Forsyth

Mosses: September 21, 2019 Nublu

October 9, 2019
By

Ryan Jewell may just be the busiest man in rock and roll. Does he eat? Does he sleep? No one knows. Between drumming with Ryley Walker, Chris Forsyth, Olden Yolk, Elkhorn, and others he’s somehow found the time to play some guitar and sing in Mosses, a duo with Danette Bordenkircher on keys and “space machines.” They’ve got a new cassette out as part of Black Dirt Studio’s Microdose series. You can listen to one song on Bandcamp but you’ll need to track down a physical copy to hear the whole thing—totally a worthwhile effort.

I recorded this from our usual location at Nublu, which is fast becoming one of our favorite NYC venues. The sound is excellent. Enjoy!

Download MP3/FLAC



Mosses
2019-09-21
Nublu
New York, NY

Recorded and produced by Eric PH for nyctaper.com

MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV > Adobe Audition CC + Izotope Ozone 5 > Audacity 2.0.5 > FLAC

Tracks [27:35]
01. Jam > Another Plan > Ahh Auspicious
02. Ouroboros
03. MSR

Chris Forsyth: September 27, 2019 Nublu

October 8, 2019
By

May 2020 Update: Chris Forsyth has released a multitracked recording of “Techno Top” from this show on Bandcamp. Please do head over there to purchase!

For the final night of his Nublu residency, Chris Forsyth held nothing back. The Solar Motel Band (Peter Kerlin and Ryan Jewell) are joined by Daniel Carter, Brent Cordero, Tom Malach (set one), and Ryley Walker (set two) in what is most assuredly one of the greatest Forsyth shows I’ve ever seen. For the first set Forsyth and Malach share guitar lines over tracks from All Time Present and Dreaming in the Non-Dream while Carter trades off between saxophone and horns throughout and Cordero’s keyboard pulses. Kerlin and Jewell are ever-sturdy as the rhythm section. For the second set Walker joins in on second guitar for a forty-five minute jam that begins as “The First Ten Minutes of Cocksucker Blues” and ends in outer space.

I recorded this from our usual location at Nublu. The sound is excellent. Enjoy!

Downloads and Stream of the audience recording available at the Live Music Archive

Chris Forsyth
2019-09-27
Nublu
New York, NY

Recorded and produced by Eric PH for nyctaper.com

MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV > Adobe Audition CC + Izotope Ozone 5 > Audacity 2.0.5 > FLAC

Set 1:
01. Techno Top
02. Tomorrow Might as Well Be Today
03. Mystic Mountain
04. Dreaming in the Non-Dream

Set 2:
05. The First Ten Minutes of Cocksucker Blues > Jam

Chris Forsyth: Guitar, Vocals
Peter Kerlin: Bass
Ryan Jewell: Drums

Daniel Carter: Saxophone and Horns on 1-2, 4-5
Brent Cordero: Keys on 1-2, 4-5
Tom Malach: Guitar on 1-4
Ryley Walker: Guitar on 5

Elkhorn: September 21, 2019 Nublu

October 2, 2019
By

Last weekend’s Elkhorn show at Nublu was something of a belated release party for their double-LP Sun Cycle / Elk Jam set from earlier this year. That album brings Jesse Sheppard and Drew Gardner together with Willie Lane on guitar and Ryan Jewell on drums for two sides of composed songs followed two more sides of improvisation caught during the same session. Like Sheppard comments during the show, the unique makeup of the Elkhorn quartet makes live outings of some of the songs pretty infrequent, so it was extra special to see the whole gang together for this one.

Their set begins with the duo playing “Darkness” and “Song of the Son” into “Wilderness,” before Ryan Jewell joins on tablas for “Subway Mirror Heart.” It gets into full quartet swing when Willie Lane joins for the back half of the set, playing with them on “Altun Ha,” “Seasonal” into “Distances,” and the set-closing “Train.” It’s great to see Elkhorn getting a long set and really settling in like this—we’re used to seeing way-too-brief outings from them. Let these guys stretch their, um, horns, and they’ll chart you out some new paths.

I recorded this from our usual spot at Nublu and as usual for the venue, the sound is excellent. Enjoy!

Download MP3/FLAC



Elkhorn
2019-09-21
Nublu
New York, NY

Recorded and produced by Eric PH for nyctaper.com

MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV > Adobe Audition CC + Izotope Ozone 5 > Audacity 2.0.5 > FLAC

Tracks:
01. Darkness
02. Song of the Son > Wilderness
03. Subway Mirror Heart
04. Altun Ha
05. Seasonal > Distances
06. Train

Ryley Walker & David Grubbs: September 12, 2019 Trans-Pecos

October 1, 2019
By

We’ve seen our man Ryley Walker hit the stage with David Grubbs as recently as the final night of his Union Pool residency earlier this year — that night with Ryan Jewell and C. Spencer Yeh also in the mix. But as we all know, one Ryley show rarely bears much resemblance to another, particularly when it comes to the panoply of collaborations in which he engages. If RW isn’t the hardest working man in music, he’s got to be up there, touring constantly, opening for other acts, playing band gigs, solo gigs, and stuff like this — all within the span of a week or even a single day.

This set at Trans-Pecos came just a few days after his sojourn at Hopscotch Music Festival (look for those shows soon) where played yet another collab show followed by a full band set within a span of hours. Walker is a professed fan of Grubbs, and the mind-meld between the two musicians easily bridged any generational divides on this night, as they took turns leading and following, creating a dual-guitar piece that kept the packed room in contemplative silence.

Speaking of Ryley Walker and collaborations, he has a record coming up on Thrill Jockey on November 8 with Charles Rumback. I think you should buy it.

This recording is straight off the Trans-Pecos digital soundboard, and it’s clean as a whistle. Enjoy!

Download the recording at the Live Music Archive

Ryley Walker & David Grubbs
2019-09-12
Trans-Pecos
Queens, NY USA

Recorded by nyctaper, produced by acidjack

Midas Soundboard>Sandisk SD card>16/48 WAV>Adobe Audition CC>Izotope Ozone 5>FLAC ( level 8 )

Tracks
01 Pecos improv

Buy their stuff: Ryley Walker | David Grubbs

Chris Forsyth: April 29, 2019 Rough Trade NYC

April 30, 2019
By

A few weeks ago, the internet buzzed with discussion of “indie jam,” the term coined by Steven Hyden at Uproxx and referring, as many noted in response, to a constellation of bands advanced largely by Jeff Conklin on The Avant Ghetto. (We at NYCTaper are acknowledged by Hyden too, I’m obliged to mention.) In the article, musicians like Chris Forsyth (along with Garcia Peoples, Sunwatchers, Ryley Walker, William Tyler, and many others) are credited with “an inclination to meld all kinds of music — including indie, post-rock, folk, country, jazz fusion, and, yes, punk — and take it in adventurous and often improvised directions.”

“Indie jam”—or whatever you want to call it—surely wasn’t born in an out-of-the-way amphitheater in Raleigh, NC. But in September 2013, when we were first introduced to Forsyth’s far-out jams that were clearly referencing the Grateful Dead and Television, something was afoot. Is it time for us shrug off the legacy of Kurt Cobain’s distaste for the Dead and acknowledge the ongoing intersections of indie rock and jambands? Across the aisle, jamband fans are approaching the same questions, as the podcast Beyond the Pond seeks to introduce Phish fans to music outside the jamband ecosystem.

In the meantime, while the heads have been catching up to him, Chris Forsyth has released a series of increasingly great albums. The latest is All Time Present, in which Forsyth’s singular guitar playing weaves effortlessly between varied genres, from psych rock to, yes, even dance.

On Monday night we caught Forsyth’s Brooklyn record release show, appropriately opening for Träd, Gräs och Stenar. Joined by the latest edition of the Solar Motel Band, Peter Kerlin on bass and Ryan Jewell on drums, the trio play “Tomorrow Might as Well Be Today” and “Mystic Mountain” before being joined by Pat Gubler (P.G. Six/Wet Tuna) on keys for “Dream Song” and an absolutely epic performance of “Dreaming in the Non-Dream.” Returning the favor from last month’s Garcia Peoples record release show, the Solar Moteliers are joined by Tom Malach, Danny Arakaki, and Cesar Arakaki to complete the circle with “Techno Top.”

Chris Forsyth, Garcia Peoples, Dire Wolves, and Weak Signal play Market Hotel on July 27. You can find out what magic is in store from this insanely great lineup by grabbing a ticket.

Downloads available at the Live Music Archive

Chris Forsyth
2019-04-29
Rough Trade NYC
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Terry) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [59:36]
01. Tomorrow Might as Well Be Today
02. Mystic Mountain
03. Dream Song
04. Dreaming in the Non-Dream
05. Techno Top

Solar Motel Band:
Chris Forsyth
Peter Kerlin
Ryan Jewell

3-5 with Pat Gubler
5 with Tom Malach, Danny Arakaki, and Cesar Arakaki of Garcia Peoples

Website | Facebook | Buy All Time Present via Bandamp

Garcia Peoples: March 29, 2019 Nublu NYC (with Chris Forsyth)

April 1, 2019
By
photo courtesy of Jeff Conklin

This Nublu night was ostensibly organized as the release party for Garcia Peoples new album Natural Facts with good friend of the site Ryley Walker as special guest. When Ryley decided to take some time off for personal reasons, the band invited another friend of this site Chris Forsyth, and Chris came north from Philadelphia on very short notice. The result was one of the more memorable shows in recent memory. The first set was a solid run through GP material, but it was the second set where the magic was revealed in an incredible hour-long jam sequence that approached legendary status. With Forsyth surrounded by the GP guitar section, the band added percussionist Ryan Jewell, and the double-drummer attack propelled the action through a 32-minute jam on a new Forsyth composition “Techno Top”. What followed were two covers that took the jam-packed crowd into another stratosphere. Of particular note is the tasty 1968-style high-energy “The Other One” which started on a buzz that never wavered through 19 minutes of pure bliss.

If you live in the Philadelphia area, Garcia Peoples is returning the release show favor to Chris Forsyth, as the two will perform together at Jerry’s On Front on April 27 when Forsyth releases his new record All Time Present. Our sincere recommendation is that anyone within any reasonable distance of that show on that night should not miss another magic night.

Eric and I recorded this set from an upfront location in the venue directly behind the DJ booth. The positioning did not permit a board feed, but the fortuitously placed high-end mics have yielded recordings of superb quality. We offer both for your enjoyment!

Download the Complete Recording at Archive.org

NYCTaper version [HERE]

Eric PH version [HERE]

Stream the Complete Set:

Garcia Peoples
2019-03-29
Nublu
New York NY

Digital Master Recording
Upfront Audience

Schoeps CCM4u’s > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 40:07]
01 Rolling Tides
02 Feel So Great
03 Break Me Down
04 Total Yang
05 High Noon Violence
06 The Spiraling
Set 2
[Total Time 1:04:44]
07 Techno Top
08 The Calvary Cross [Richard Thompson]
09 The Other One [GD]

PLEASE SUPPORT These Artists: Garcia Peoples | Chris Forsyth

Ryley Walker: March 12, 2019 Union Pool

March 14, 2019
By
Photo by Drew Gardner

Listen to this recording for the in-between song comedy, if nothing else.

Huh? Oh, right, but this is Ryley Walker we’re talking about — the Very Serious Musician who writes Very Serious Songs and does Very Serious Things like 55 minute psych-improv blowouts with Steve Gunn and Ryan Jewell. This is Ryley Walker, who does a 2LP song-by-song cover of an unreleased Dave Matthews album as his second record of the year — a cover album so good that it convinces music snobs that yes, Dave Matthews is actually a pretty darn great musician. Come for comedy if you must, but become lifelong believer because of the music.

This was Ryley’s second of four residency shows this month at Union Pool. In addition to a truly hilarious extended riff about garage bands at SXSW circa 2009 (with a note-accurate parody song included) and Chicago bands who fail to get picked up by Touch N Go (with a note-accurate parody song based around the riff from June of 44’s “Dexterity of Luck”), Ryley and drummer Jewell delivered a new jam (title TBD), a very familiar cover (“If I Were A Carpenter”), songs from the exceptional 2018 LP Deafman Glance, and “Primrose Green,” from the 2015 album of the same name that seems like aeons ago musically. Whether or not certain naysayers at the time made lame Van Morrison comparisons (based as much on the album’s cover art as its sound), many of those songs are really good, and it’s a joy to see them coming back in the rotation.

As I’ve mentioned before, what feels like the biggest difference from the 2015-era shows is how Walker’s live renditions more closely match the album’s style. Sure, it’s still “sad acoustic guitar indie folk man” music in a sense (as Walker put it), but “Telluride Speed” and “Spoil With the Rest” were played here more or less in the style of the album versions, versus the 14-minute jam version of “Halfwit In Me” that’s long been a tour staple. I don’t know if it means that Walker feels more comfortable with the Deafman songs as the band played them in the studio, or if these songs are just waiting their turn for the extended treatment, but either way, it’s working.

This show also features a hilarious story about taking acid in relation to a King Crimson concert (listen to the story) and some self-deprecating musings about Primrose Green. This might be the first show I’ve witnessed by a serious musician that almost seemed to spawn a new genre: sort of a Yo La Tengo Hanukkah set with a comedian, except that the comedian appears during the set.

There are two more Tuesday nights this month where you can catch Ryley Walker at Union Pool, with more special guests promised. Based on the first two, it’s pretty clear that you shouldn’t come with any preconceived notion of what you’ll hear, but be prepared to enjoy yourself. Tickets for next week’s show are here.

Doug Graham once again outdid himself behind the board. Combined with my Schoeps MK5 mics, it’s yet another excellent recording for you to enjoy.

Download the recording from its Live Music Archive page

Ryley Walker
2019-03-12
Union Pool (Residency Night 2)
Brooklyn, NY USA

Recorded and produced by acidjack

Soundboard (Engineer: Doug Graham) + Schoeps MK5c (XY, at SBD, DFC)>KC5>CMC6>>Sound Devices MixPre 6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.2.2>FLAC ( level 8 )

Tracks [Total Time 1:04:03]
01 [intro]
02 The Halfwit In Me
03 [diaper rap]
04 [new jam 1]
05 Spoil With the Rest
06 [garage rock and Thrill Jockey rap]
07 Telluride Speed
08 [King Crimson rap]
09 If I Were A Carpenter [Tim Hardin]
10 [primrose rap]
11 Primrose Green

PLEASE SUPPORT RYLEY WALKER: Bandcamp | Dead Oceans

Willie Lane: February 7, 2019 Union Pool

February 21, 2019
By
Photos by Drew Gardner

Willie Lane has long been something of a mystery, appearing sporadically on live MV/EE CD-R’s and quietly self-releasing tiny pressings of highly-coveted solo guitar records. Until recently, you couldn’t even find them online, having to resort to in-the-know record stores that would stock these rarities. But recently a Willie Lane Bandcamp page appeared with digital downloads of his three LPs and one single, followed by a reissue of the long-scarce Known Quantity from Feeding Tube. Already down to the last box of that one, the reissues will keep coming in March when they put Guitar Army of One back out into the world. Meanwhile, on The Avant Ghetto, Jeff Conklin played an awesome live set from Scratch Ticket (Lane on guitar, Rob Thomas on bass, and John Moloney on drums), stoking excitement at the possibility Lane would down to NYC for a gig.

For this performance, Lane recruited local drummer-of-record Ryan Jewell for a mix of rehearsed material and improvisation. Though quite different from the stark, lonesome guitar on his records, their set manages to conjure those same slanted vibes.

Extra thanks to Jeff Conklin and The Avant Ghetto Presents for getting Willie Lane out to NYC and for inviting us down. Check out his show on WFMU for the good stuff!

I recorded this set with the MBHO cardioids set up in stereo DIN configuration, combined with a board feed courtesy of Union Pool FOH Doug. The sound is excellent. Enjoy!

Download MP3/FLAC


Willie Lane
2019-02-07
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Photos by Drew Gardner

Soundboard (engineer: Doug) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [36:40]
01. Poolside Jam
02. Lower Life Forms
03. Bottles & Cans > Improvised Interlude > Blister Pack
04. Sorry Wicks

Willie Lane: guitar, vocals
Ryan Jewell: drums

Buy Known Quantity and Guitar Army of One at Feeding Tube

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.