294 search results for "Hum"

Drive By Truckers: March 15, 2013 Capitol Theatre Portchester – Flac/MP3/Streaming

March 18, 2013
By

truckers2
[photo by Joe Madonna]

A Drive By Truckers concert can be an exhausting and exhilarating experience. The show is jam-packed with superb material — songs filled with emotion, humor and expert storytelling. At the Capitol Theatre in Portchester on Friday night, DBT played one of the longest shows we’ve seen in years, not just in time but also in just pure music. The set was almost continuous, no banter, no tuning, no messing around. And at a full two and half hours, twenty seven songs and forty-minute, 9 song encore, it was exhausting. A good portion of the partying weekend crowd did not make it to the end. But for those who stuck it out, it was also a rewarding show. DBT can never be accused of giving anything less than 100% and Friday was no exception. The band was engaging and energetic and the highlights were a plenty. We’re streaming “Let There Be Rock”, which features a mix of all that makes Drive By Truckers great.

I recorded this show in the assigned taping spot in this venue, behind the soundboard and dead center. Although we’d prefer to be about 20 feet further up, this spot does offer decent sound and much of the conveniences of this excellent venue. The recording has some flaws, crowd chatter among them, but overall its a fine listen. Enjoy!

Stream Let There Be Rock”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request

Drive By Truckers
2013-03-15
Capitol Theatre
Portchester, NY

Digital Master
Four-Track Audience Recording

Sennheiser MKH-8040 Cardioids + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-03-17

Setlist:
[Total Time 2:25:58]
01 Lookout Mountain
02 A Ghost to Most
03 Why Henry Drinks
04 Women Without Whiskey
05 [banter – Capitol]
06 Used to be a Cop
07 Where the Devil Don’t Stay
08 Tornadoes
09 Sounds Better in the Song
10 Puttin People on the Moon
11 Self Destructive Zones
12 Don’t Be in Love Around Me
13 Birthday Boy
14 Girls Who Smoke
15 3 Dimes Down
16 Sink Hole
17 Uncle Frank
18 Hell No I Ain’t Happy
19 [encore break]
20 Gravity’s Gone
21 The Night GG Allin Came to Town
22 Panties in Your Purse
23 Let There Be Rock
24 Marry Me
25 Ronnie and Neil
26 Zip City
27 Shut Up and Get on the Plane
28 Angels and Fuselage

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Drive By Truckers, visit their website, purchase their official releases from the Store at their website [HERE].

Jeffrey Lewis: February 8, 2013 Music Hall of Williamsburg – Flac/MP3/Streaming

February 11, 2013
By

jeffrey lewis 2013-02-08
[photo by acidjack]

It is a pure coincidence that our next post after Diane Cluck is her sometime collaborator and fellow anti-folk alum Jeffrey Lewis. We spoke at length with Jeffrey after his entertaining performance at the first night of the Don Giovanni Records showcase at Music Hall of Williamsburg on Friday night. Speaking to Jeffrey is almost as entertaining as seeing him live, but we also learned that he was in fact at the Diane Cluck show on Tuesday. It is not a coincidence however that the two artists have chosen the same uncompromising career choices, Diane as a direct-to-fan artist and Jeffrey as a multi-talentend jack of all trades — songwriter, cartoonist, humorist and writer. The performance on Friday offered a forty-minute glimpse of these talents and was a thoroughly enjoyable set on many levels, offbeat (“Cult Boyfriend” streaming below), thoughtful (“Life”), educational (“Pocahontas”), and completely hilarious (“The Pigeon”, a yiddish LES spoof of Poe’s The Raven). We have had the luck to see Jeffrey several times, but inexplicably he’s never been on the site. We are happy to finally have him here, and hope there are more to come.

I recorded this set with acidjack from a prime location in this venue. I mixed the Sennheiser cards with a fine soundboard feed and the results are superb. Enjoy!

Stream “Cult Boyfriend”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Jeffrey Lewis
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by nyctaper and acidjack
Produced by nyctaper 2013-02-10

Setlist:
[Total Time 36:41]
01 When You’re By Yourself
02 [banter – thanks for coming]
03 Cult Boyfriend
04 Big A Little A [Crass]
05 [banter – low budget films]
06 Pocahontas
07 Life
08 Reaching
09 [banter – Raven]
10 The Pigeon
11 Time Trades
12 Into A Corner
13 The Dirty Bird

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Jeffrey Lewis, visit his website, and purchase his official merch at his website [HERE] and at Don Giovanni Records [HERE].

Cracker: January 19, 2013 Stage 48 – Flac/MP3/Streaming

February 8, 2013
By

cracker keim
[photo by Dean Keim]

On their annual co-tour with Camper Van Beethoven, Cracker usually gets the anchor spot. I guess this is because David Lowery, who gets double duty each night, sings louder and more vociferously for Cracker’s style of music than he does for CVB, and if the bands were reversed he’d have no voice at all for the Camper set. For the Stage 48 show a few weeks back, this was again the case. Lowery was his usual more animated Cracker self for a very energetic show. But on that night, we were doubly impressed with the work of Johnny Hickman whose energy, humor and guitar work always makes a Cracker show more entertaining. At the Stage 48 show however, Johnny seemed especially moved by the recent loss of a friend Mac Shingleton and the dedication to Mac of “Another Song About the Rain” ignited something special in that song and the moving version was the highlight of the evening. We’re streaming it below.

I recorded this set in the same manner as the CVB set and the sound is superb. Enjoy!

Stream “Another Song About the Rain”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cracker
2013-01-19
Stage 48
New York, NY USA

Digital Master Recording
Recorded from Inside of Soundboard Booth

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-02-07

Setlist:
[Total Time 1:21:01]
01 Low
02 Teen Angst
03 The Good Life
04 Useless Stuff
05 I Could Be Wrong
06 Friends
07 Forever
08 [banter – tuning]
09 Turn on Tune in Drop Out with Me
10 Eurotrash Girl
11 Big Dipper
12 Guarded By Monkeys
13 Seven Days
14 Another Song About the Rain
15 [encore break]
16 Gimme One More Chance
17 I See The Light

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Cracker, visit their website, and purchase their official releases directly from the Store at their website [here] or from the 429 Records website [here].

Trey Anastasio Band: January 24, 2013 Capitol Theatre (Port Chester, NY) – FLAC/MP3/Streaming

January 29, 2013
By

[Photos by Bahram Foroughi. See his website HERE]


The band Phish will be celebrating its 30th year of existence this year – an impressive feat for any band, but even more so for one as consumed with playing long, varied sets that maintains a pretty intense tour schedule when they’re out.  But as Trey Anastasio reminded us at the beautifully refurbished Capitol Theatre in the Westchester suburbs last week, his Trey Anastasio Band project has had some staying power of its own. This year marks that band’s fifteenth anniversary, and that showed. It might even be fair to say that, with a less rigorous schedule and many fewer dates in each of those years, this band has more room to grow as a unit than the mothership itself. Trey has long since been at a point in his career where he can do what he wants, and TAB gives him even more freedom to be as eccentric and humorous as he wants to be. From the Honey Boo Boo jokes to the inspired cover of Bob Marley’s “Small Axe”, this second night of the Capitol run showed a band and a leader comfortable with where they are and thoroughly enjoying the tunes they had to offer.  The set included some less-played numbers like “Greyhound” and “Words to Wanda”, and of course, some songs from Trey’s new record, Traveler, including our favorite, “Valentine.” Three of us from the nyctaper crew attended the show, and I think it’s fair to say a good time was had by all.

The Capitol Theatre is a welcome new (re-)addition to the NYC-area venue scene. The site of some legendary Grateful Dead shows has been lovingly restored to its former glory, with the added bonus of a friendly, competent and cool staff.  We wish the new venue well and hope to return soon.

I recorded this set with Schoeps MK41 microphones from the official taper section of the venue, joined by Johnny Fried Chicken Boy and hi and lo.  While the Capitol asks that we keep mic stands fairly low – meaning closer to chatty audience members – we found the sound in the spot to be nearly flawless, and the resulting recording reflects the theater’s fine acoustics and the outstanding effort’s of Trey’s FOH team. Enjoy!

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Trey Anastasio Band
2013-01-24
Capitol Theatre
Port Chester, NY

Recorded and produced by acidjack
Setlist courtesy of phish.net

Schoeps MK41 (DFC, BOB, PAS)>KCY>Z-PFA>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (light EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Set 1 [Total Time: 1:32:08]
01 Drifting
02 Last Tube
03 Greyhound Rising
04 Night Speaks to a Woman
05 Mozambique
06 Wherever You Find It
07 Words to Wanda
08 Burlap Sack and Pumps
09 Spin>
10 Scabbard
11 A Case of Ice and Snow
12 Traveler

Set 2 [Total Time: 1:30:42]
13 Curlew’s Call
14 Gotta Jibboo
15 Small Axe [Bob Marley]
16 Valentine
17 Plasma
18 Shine
19 The Way I Feel>
20 Mr. Completely>
21 Ether Sunday>
22 First Tube
23 [encore break]
24 Black Dog [Led Zeppelin]

Musicians:
Trey Anastasio
Jennifer Hartswick
Russ Lawton
Tony Markellis
Ray Paczkowski
Natalie Cressman
Cyro Baptista
James Casey

If you enjoyed this recording, PLEASE SUPPORT Trey Anastasio, visit his website, and buy his latest record, Traveler, at his online store [HERE]

NYCTaper’s Favorite Concerts We Recorded in 2012 (w/ Streaming Songs)

December 27, 2012
By


[Photo by Geoffrey Dicker for According 2 G]

There is always more live music going on in New York than any one person (or four people) can see at one time, let alone record and share. Add to that the tradition of the summer road-trip (or flight to North Carolina) and we had a ton of shows to see, share and discuss. When you record this many shows, it’s pretty easy for your memory of individual ones to get hazy. Some you forget (or maybe want to forget) altogether. This list is not intended as a definitive “best of”, necessarily, but out of the hundreds of bands we saw take the stage, the moments represented here were the ones that not only stuck in our minds, but that we kept turning back to and listening to again and again. This was another tough year for New York and for this country in general, but that didn’t stop people from making great music, and we are thankful to have been there to witness it as often as we were. We hope that if you listened to any of our recordings this year that they brought you happiness, and wish you all the best for 2013.

In no particular order….

Bjork – February 25, 2012 Roseland and February 12, 2012 New York Hall of Science
[audio:https://www.nyctaper.com/B6591Bjork8793/18.%20Possibly%20Maybe.mp3]
We were lucky enough to catch two of the Biophilia: Live shows by Björk, an original and rare talent whose bizarre science-meets-music vision brought to life on a 360-degree stage was as electric as the giant Tesla coil onstage. The singer’s voice is without match, and the Icelandic choir that joined her made the material even better. These were some of the most popular recordings on the site this year, even if the sound alone could not quite do these staggeringly entertaining performances justice.

Hiss Golden Messenger – September 7, 2012 Hopscotch Festival, Raleigh, NC (day show and night show)

Other than that he isn’t in a major media market, is on a tiny, mostly reissue-based label, and has a challenging full-time day job, I can’t figure out why MC Taylor, who performs as Hiss Golden Messenger, isn’t more popular outside of North Carolina. I suppose those three are good reasons, but as this year’s Hopscotch Music Festival in Raleigh, NC reminded us, North Carolina is very much a musical hotbed right now. Taylor’s music is an approachable blend of rock, country, gospel and folk, with a timeless appeal that can span generations and earn Grammy awards. At these two shows – first the Three Lobed Recordings/’WXDU Day Show in a stripped-down setup, and then at night in a larger auditorium with a full band, Taylor performed songs that were flat-out heartbreakingly beautiful and just as equally memorable. The man’s performances are instant classics. If he comes to your town, drop what you’re going and go see what he’s about.

Akron/Family – January 21, 2012 at 285 Kent
[audio:https://www.nyctaper.com/A3030Akron1020/13.%20Light%20Emerges.mp3]
Akron/Family almost always put on a memorable show, but the freewheeling atmosphere of 285 Kent combined with A/F almost guaranteed one for this night. This manic, lengthy celebratory, show featured full crowd participation (audience drummers!) and an intense performance.

Dinosaur Jr. – December 1, 2012 Terminal 5
[audio:https://www.nyctaper.com/D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Dont.mp3]
Johnny Fried Chicken Boy and I had already nominated this show as one of the best of the year before we had even hit the post-show pavement. Celebrating the 25th anniversary of the album You’re Living All Over Me, the original lineup played that record and a slew of other favorites with special guests including Frank Black, Lee Ranaldo, Kim Gordon, Don Fleming, Johnny Marr, Tommy Stinson and NYC’s current favorite journeyman artist Fred Armisen. For me, the rendition of “Don’t” with Gordon on vocals  was the night’s absolute barnburner.


[Wilco at Brewery Ommegang]

Wilco – July 28, 2012 Brewery Ommegang
[audio:https://www.nyctaper.com/W2238Wilco2297/Wilco_-_Handshake_Drugs.mp3]
Thanks to the location and its signature product, I’m not sure how clearly most of us, er, actually remember this show. But the entire NYCTaper crew taking a roadtrip to one of New York’s best breweries to see one of our favorite bands had to mark a high point of the year for us. Wilco played an excellent set in at-times-torrential rain that included some rare numbers like “Laminated Cat” as well as a trio of Being There classics as part of the encore. At least, I think that’s what happened….

Ty Segall/Thee Oh Sees – September 24, 2012 Death By Audio

I didn’t have a better time at any other show this year.  Two big acts (one of whom we were writing about back in 2009) in small clubs playing their butts off is always a good combination.

Patterson Hood – July 23, 2012 Bell House
[audio:https://www.nyctaper.com/D8030DriveByTruckers3838/21%20Heat%20Lightning%20Rumbles%20In%20the%20Distance.mp3]
It’s easy to be cynical about a lead singer of a still-thriving band doing a solo album (this one his second). But Patterson Hood of Drive-By Truckers showed himself to be a musical force in his own right. Laughing and telling stories to the crowd in between numbers, this show gave us a window into the man’s soul in a way that you can’t get at the Truckers’ more big-time performances.

Luna-Reunion-1024x680
[A reunited Luna at Mulcahy’s in Wantagh, NY]

Dean & Britta – July 21, 2012 Mulcahy’s, Wantagh
[audio:https://www.nyctaper.com/D1310DeanWareham2001/08.%20Tiger%20Lily.mp3]
An amazing story of how the original members of Luna decided to reunite with Sean Eden for a charity and play songs we’re not likely to ever hear again live in this configuration. And our pals The War on Drugs were there to play a set (and dedicate a song to us) as well!

DIIV – June 8, 2012 285 Kent
[audio:https://www.nyctaper.com/D8600DIIV2012/11%20Bambi%20Slaughter.mp3]
As is so often the case, promoter ToddP got a crack at this band as a headliner before the hype machine had quite hit full steam.  Sure, 285 Kent isn’t Music Hall of Williamsburg size-wise, but there were more than enough in-the-know people to slam-pack this venue to its sweatiest capacity, as DIIV showed themselves to be one of this year’s best new bands (as many other sites would later acknowledge). Oh, and they covered an unreleased Nirvana b-side, too.

d40-nyctaper-oneida-0932-e1338817682145
[Oneida at 285 Kent, courtesy of Jill Harrison]

Oneida – May 12, 2012 285 Kent (NYCTaper 5th Anniversary Show)
[audio:https://www.nyctaper.com/O8020Oneida3329/03.%20Bad%20Habit.mp3]
Is it hard to overstate how fucking awesome it is to have one of our favorite bands playing one of our favorite sets of theirs ever at a show thrown to celebrate five years of this site’s existence? Why, yes it is.

Yo La Tengo – all of the 2012 Hanukkah shows at Maxwell’s, but particularly December 9, 2012, December 10, 2012 and December 14, 2012

At points this December it felt like the site should be called “YoLaTengoTaper” given the amount of time we were spending at Maxwell’s to see this year’s Yo La Tengo Hanukkah shows. Our obsession with these shows is well-justified;  the storyline is irresistible. A legendary local band, playing eight shows in a row from their tiny homebase venue to benefit Hurricane Sandy recovery, with special guests like the Sun Ra Arkestra, The Feelies, Devendra Banhart, Andrew Bird, Kid Millions of Oneida, and more is kind of the ultimate holiday gift from a band to its fans, no?

sharonve
[Sharon Van Etten at Bowery. Courtesy of Chris Gersbeck at Fucking Nostalgic]

Sharon Van Etten – February 26, 2012 Bowery Ballroom
[audio:https://www.nyctaper.com/S0606SharonVE8008/08.%20Give%20Out.mp3]
We have followed Sharon Van Etten for years and our respect for her is well-documented, but this homecoming show at Bowery Ballroom represented the full realization of Van Etten as a bona fide full band. The Tramp material in particular here was performed flawlessly, with the grace and intensity we’ve come to expect from her.

Lower Dens – May 2, 2012 Glasslands
[audio:http://www.nyctaper/nyctaper.com/L0052LowerDens0122/Brains.mp3]
I usually find it hard to narrow down the number of “favorite” shows I see at Glasslands, but this year, this Lower Dens show was a huge standout. With the Baltimore band touring behind their expansive new LP, Nootropics, they showed up in front of a maxed-out crowd and proved that their meditative, texture-heavy songs could also kill it live.

Kevin Devine – December 1, 2012 Webster Hall

December 1st must have been one of the best days for music all year. Two of our favorite shows – Dinosaur Jr. at Terminal 5 and this sprawling Kevin Devine show – happened on this date, and we missed at least two others that would have been must-sees on any other night. We’re not sure any contemporary artist has ever played three full albums on one date, but Kevin did it, and with exceptional grace. A night to remember.

alabama_shakes-5097_EG_650
[Alabama Shakes at Bowery Ballroom. Photo courtesy of Eric Groom Photography]

Alabama Shakes – April 11, 2012 Bowery Ballroom
[audio:https://www.nyctaper.com/A2210AlabamaShakes1410/Alabama_Shakes_-_Boys_and_Girls.mp3]
When you see a band on the night that they discover they’ve “made it” in New York, you usually see them at their best. After that moment, things will never be the same for them, internally or externally. From 2009 until this moment, Alabama Shakes was an at-best regionally known band from Athens, Alabama that had been gaining some post-CMJ buzz from 2011. After this Bowery Ballroom show, as I said to Johnny Fried Chicken Boy during the show, they were headed straight for a Grammy, which they now have a pretty good shot at earning. They were obviously humbled and amazed by what they saw in front of them – a slew of industry people and eager fans looking at the “next big thing”.  And they played that way.

Hurray For the Riff Raff – June 15, 2012 Mercury Lounge
[audio:https://www.nyctaper.com/H1208Hurray0022/12.%20Time%20Is%20On%20My%20Side%20(Irma%20Thomas).mp3]
Among several shows of theirs we saw this year (including our own CMJ show), this was the perfect example of a band finding its voice in the live setting at the same time as they released a fantastic album – in this case, the largely unheralded but outstanding Look Out Mama. 

Woods – November 3, 2012 Music Hall of Williamsburg

As many of us were just emerging from Hurricane Sandy hell (and many were still stuck in it), Woods gave Brooklynites a reason to leave the house for this outstanding show at Music Hall. Woods may be of the more recent vintage of Brooklyn bands, but their ability to stretch, bend and reshape a song is of another era. Their appropriately titled new record, Bend Beyond, is only a guidepost for what you get at one of their incredible live shows.

Olivia Tremor Control – June 16, 2012 Music Hall of Williamsburg
[audio:https://www.nyctaper.com/O6150OTC0212/03%20Can%20You%20Come%20Down%20With%20Us.mp3]
When I was at this show, I thought it heralded a comeback for the Athens, GA-based psychedelic wizards. Instead, this was the last time I would ever see Olivia Tremor Control. Founding member Bill Doss passed away scarcely a month later, and with him, this cherished cornerstone of the Elephant 6 collective. Rest in peace, Bill, and may your music live forever.

The Mountain Goats – October 13, 2012 Music Hall of Williamsburg

Those in the know called this Mountain Goats show the best of the latest tour. We’re here to give you the audio evidence that they’re right.

Gov’t Mule (w/ the Levon Helm Band) – June, 2012 Mountain Jam, Hunter, NY
[audio:https://www.nyctaper.com/M9999MountainJam9999/20%20Birth%20of%20the%20Mule.mp3]
Set against a backdrop of the Catskill Mountains, Gov’t Mule and the Levon Helm Band paid one hell of a tribute to one of music’s most dearly departed this year, Levon Helm. As if the idea that music has the power to transcend even death needed affirming, these guys did it with this performance.

HONORABLE MENTIONS
Frank Turner – September 30, 2012 Webster Hall
The Soft Moon – September 20, 2012 Glasslands
Lucero – April 20, 2012 Webster Hall

Special thanks to all of the artists, management, labels, photographers and other music sites that have supported NYCTaper this year and in the past five years.  And of course, a huge thank you to our readers, who we hope to continue to provide with high-quality, artist-sanctioned recordings, reviews and photos throughout 2013 and beyond.  Happy New Year!

softmoon

[Soft Moon at Glasslands, courtesy of Eric Groom Photography]

Smashing Pumpkins: December 10, 2012 Barclays Center – FLAC/MP3 Downloads + Streaming Songs

December 20, 2012
By

orb
[photos courtesy of Jill and For the Love of Brooklyn]

Originally the Smashing Pumpkins were slated to play their first NYC arena show in over 15 years at the newly-opened Barclays Center on Halloween. The last time Billy Corgan and company rocked Madison Square Garden was in 1997 during the heights of Mellon Collie and the Infinite Sadness. Unfortunately, Hurricane Sandy had other ideas.

The band ended up rescheduling the show at Barclays on December 10th, which coincided with the end of their current North American tour. Corgan announced earlier this year that the band would be playing their new album Oceania in its entirety. The album has received almost universally positive coverage amongst music critics, many of whom have compared it to the classic Pumpkins sound popularized by albums like Siamese Dream and the aforementioned Mellon Collie.

After our last encounter with the band at Terminal 5 last year (which made our Top 25 of 2011 list), we knew we were in for a treat.  Plus, we were looking forward to our first Barclays experience, which ended up being a highly positive one with great concessions, a friendly staff, and a surprisingly good sound system. In addition to a full album run-through, the band played a set of the hits with stand-outs like “X.Y.U.”, “Hummer” and “Cherub Rock.”

tsp

One of the highlights of the show beyond the music was the giant glowing orb on stage. The Pumpkins collaborated with graphic artist Sean Evans earlier this year to develop visuals for the tour, which used digital mapping technology to project video and images on the sphere. In one of the most poignant moments of the show, the orb featured original scenes from Georges Méliès‘s silent film A Trip to the Moonwhich was the original inspiration for the classic “Tonight, Tonight” music video.
Matthew Perpetua, a long-time Pumpkins fan and the founder of Fluxblogreviewed the concert the next day, recalling his own experience of “Tonight, Tonight.” Perpetua summed it up best:
I was most surprised by my response to “Tonight, Tonight.” I often skip that song when I listen to Mellon Collie, but in concert it’s just sort of undeniable, and you realize that its sentiment is the key to understanding what Corgan has been trying to do with his music for all these years. It’s a song that blasts cynicism, and rejects the notion that any creative ambition is too crazy to be considered. I can think of a bunch of times recently when I was talking to someone who was really down on themselves, and I had to fight myself not to tell them “life can change, you’re not stuck in vain” because it’s corny to quote a Smashing Pumpkins song to someone who is genuinely distraught. But man, that line is so true. That whole song is so true.

Indeed, especially in light of Hurricane Sandy and all that led to the rescheduling of this show, this positivity and nostalgia was so refreshing. If the performance at the Barclays Center is a beacon of things to come, we can’t wait. I recorded this set up close with the Dynamic Audio Binaural microphones that I personally designed and built. The sound is in-your-face and excellent. Enjoy!

Stream “Pinwheels”
[audio:https://www.nyctaper.com/S1810SmashingPumpkins1102/Pinwheels.mp3]

Stream “Tonite Reprise > Tonight, Tonight”
[audio:https://www.nyctaper.com/S1810SmashingPumpkins1102/Tonight Tonight.mp3]

This Recording is now available for Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Note that this show will be uploaded to the Live Music Archive shortly. Please do not upload to the LMA on our behalf.

The Smashing Pumpkins
Barclays Center
Brooklyn, NY, US
2012-12-10

Recordist : hi and lo
Source : DAB > DA-120F > Sony PCM-M10 @ 24 bit / 48 kHz
Edit : WaveLab V6 (EQ/Fades/Resampling/Dither)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 Level 8 with TLH v2.6.0 (Build 168)

Tracklist:
01. Intro
02. Quasar
03. Panopticon
04. The Celestials
05. Violet Rays
06. My Love Is Winter
07. One Diamond, One Heart
08. Pinwheels
09. (Banter)
10. Oceania
11. Pale Horse
12. The Chimera
13. Glissandra
14. Inkless
15. Wildflower
16. Space Oddity [Bowie]
17. X.Y.U.
18. Disarm
19. Tonite Reprise
20. Tonight, Tonight
21. Bullet with Butterfly Wings
22. Introduce the Band
23. The Dream Machine
24. Hummer
25. (Encore Call)
26. Ava Adore
27. Cherub Rock
28. Zero

Running Time: 2:21:29

If you enjoyed this recording, please support Smashing Pumpkins, visit their website, and purchase Oceania as well as the newly-reissued versions of their 90s records including Mellon Collie and the Infinite Sadness at their official store [HERE]

Dinosaur Jr.: December 1, 2012 Terminal 5 – FLAC / MP3 Downloads + Streaming Songs

December 7, 2012
By


[Photos courtesy of Dana (distortion) Yavin.  See more of her excellent work HERE.]

Here at NYCTaper, we have a special place in our hearts for Dinosaur Jr. Not only do they make outstanding music and have chops second to none but they have long supported the taping community, making several appearances on this website including one of the first recordings posted here. We were particularly ecstatic when the original lineup of J Mascis, Lou Barlow and Murph reunited in 2005 and have since released three superb albums. In the interim, we have done our best to capture as many of their concerts as we can but none of us grasped the full extent of what we were in for when they announced this celebratory show marking the 25th anniversary of the seminal and influential ‘You’re Living All Over Me‘ album. In addition to playing the disc in its entirety, allusions were made to many other tracks and “special friends” making an appearance. We wound up being clobbered with a setlist and guest lineup worthy of an alt/indie-rock uber fan’s wet dream: Lee Ranaldo and Kim Gordon of Sonic Youth, Frank Black from the Pixies, Johnny Marr of The Smiths, Dale Crover from the Melvins, Tommy Stinson of The Replacements, Kyle Spence from Harvey Milk, Kurt Vile, Al Cisneros from Sleep, Kevin Drew of Broken Social Scene, Suzanne Thorpe of Mercury Rev, Don Fleming, Dante Ferrando, John Petkovic and Fred Armisen. On a night with more highlights and jaw-dropping performances than one can count, there was a wonderful interplay between all the artists and a realization by the crowd that this concert was to be savored. Thank you J, Lou and Murph for the awesome holiday gift you honored us with. It was an extraordinary way to begin drawing this year to a close.

Thanks to Dinosaur Jr.’s management and the team at Terminal 5, we were given the opportunity to set up and record from the dead-center spot towards the back of the floor. With such an ideal location, acidjack and I ran three distinctly different microphone configurations in an effort to ensure the best possible recording we could make: Milab VM-44 Links (DIN) and AKG C 414 B-XLS’s in both Blumlein and M/S configurations. The results are uniformly excellent so we are offering all three sources for download. We certainly hope you like what you hear as much as we did. Enjoy!

Special thanks to Dinosaur Jr., Brian Schwartz and Daniel Mapp for making this recording possible, and to Mike and the staff at Terminal 5 for their courtesy and cooperation.

Stream “Tarpit” (Source 1): 

[audio:https://www.nyctaper.com//D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Tarpit.mp3]

Stream “Alone” (Source 2): 

[audio:https://www.nyctaper.com//D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Alone.mp3]

Stream “Don’t” (Source 3): 

[audio:https://www.nyctaper.com//D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Dont.mp3]

Source 1: Milab VM-44 Link (DIN)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

Source 2: AKG C 414 B-XLS (Blumlein)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

Source 3: AKG C 414 B-XLS (M/S)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Dinosaur Jr.
Saturday, December 1, 2012
Terminal 5
New York, NY, USA
(opener: Kurt Vile and the Violators)

Source 1: AUD > Milab VM-44 Links (cardioid DIN) > Edirol R-44 (WAV @ 24-bit/48kHz)
Source 2: AUD > AKG C 414 B-XLS’s (Blumlein) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage for Sources 1&2: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )

Source 3: AUD > AKG C 414 B-XLS (FOB, DFC, M/S) > Sound Devices USBPre2 > Edirol R-44 [OCM] > 24bit/48kHz WAV > Izotope Ozone 5 (EQ, exciter) > Adobe Audition CS 5.5 (decode M/S, adjust levels) > Audacity 3.0 (set fades, tracking, amplify, balance, downsample) > FLAC ( level 8 )

Recorded and produced by: acidjack and Johnny Fried Chicken Boy

SETLIST:
[Total time: 2:17:43]
01. [intro]
02. Thumb [Suzanne Thorpe (flute)]
03. Little Fury Things [Lee Ranaldo (additional vocals)]
04. Kracked
05. Sludgefeast
06. The Lung
07. [banter]
08. Raisans
09. Tarpit
10. In a Jar
11. Lose
12. [banter]
13. Poledo
14. [banter]
15. Almost Fare [Frank Black (vocals/additional guitar)]
16. [banter]
17. Tame [Pixies] [Frank Black (vocals/additional guitar), Kyle Spence (drums)]
18. [banter]
19. Alone [Kurt Vile (additional guitar), Al Cisneros (bass), Kyle Spence (drums)]
20. [banter]
21. Don’t Pretend You Didn’t Know
22. Watch the Corners
23. [banter]
24. The Wagon [Kevin Drew (vocals), Johnny Marr (additional guitar)]
25. The Boy with the Thorn in His Side [The Smiths] [Johnny Marr (additional guitar), Dale Crover (drums)]
26. Training Ground [Deep Wound] [Dale Crover (drums)]
27. tuning > jam
28. Gargoyle [Al Cisneros (bass)]
29. Crucified [Iron Cross] [Don Fleming (vocals), Dante Ferrando (drums), Graham Clise (additional guitar)]
30. Don’t [Kim Gordon (vocals), Don Fleming (additional guitar)]
31. [encore break]
32. T.V. Eye [The Stooges] [John Petkovic (vocals), Tommy Stinson (bass), Fred Armisen (drums)]
33. Start Choppin’ [Kevin Drew (additional vocals)]
34. Freak Scene

If you download this recording, we expect that you will PLEASE SUPPORT Dinosaur Jr., visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

Parquet Courts: November 16, 2012 285 Kent – Flac/MP3/Streaming

November 25, 2012
By


[photos by PSquared Photography]

Several months ago, a friend told me to keep an eye out for Parquet Courts. He had seen them at Death By Audio and was so impressed with their excellent garage-styled pop and their new album Light Up Gold, that he went out of his way to secure permission for me to record the band when I saw them live. Last week at 285 Kent, I got the chance and Parquet Courts lived up to expectations. This is a tight quartet with a strong sense of melody, rhythm and a wicked sense of humor. The songs are with one exception two-minute nuggets and in their thirty-minute show at 285, they managed to fit ten of them in the set. For what its worth, the single “Borrowed Time” received this week “best new music” at Pitchfork a couple of months too late, but evidence that the band is gaining the kind of notoriety that will make these 285 Kent nights a thing of the past. We are streaming that song below. The other obvious highlight was the set closer, a six-minute song called “Stoned and Starving” that calls to mind the vocal stylings of Jonathan Richman while referencing current Brooklyn locations in a lengthy groove. It was the perfect ending for this superb set. Parquet Courts will return to Brooklyn for a show opening for Fucked Up at Warsaw, before they head out on a Midwest tour.

I recorded this set with the Sennheiser cards mounted 10 feet from the stage and mixed with a board feed. The sound quality is limited only by the acoustics of the venue, but is otherwise excellent. Enjoy!

Stream “Borrowed Time”:

Download the Complete show in [MP3] / [FLAC]

Parquet Courts
2012-11-16
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-11-24

Setlist:
[Total Time 30:33]
01 Tears O Plenty
02 Master Of My Craft
03 Borrowed Time
04 [banter]
05 Donuts Only
06 Yonder is Closer to the Heart
07 Mezzanine
08 Light Up Gold II
09 Yr No Stoner
10 N Dakota
11 Stoned and Starving

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Parquet Courts, visit their website and purchase Light Up Gold from the Dull Tools Records website [HERE].

Pipe: September 7, 2012 Hopscotch Festival, Slim’s (Raleigh, NC) – FLAC/MP3/Streaming

October 11, 2012
By


[Photo courtesy of Ash Crowe]

Correspondent David Schwentker reports:

There are bands of larger stature that emerged from the Triangle scene, but you’d have trouble finding one more beloved in the area than Pipe.  For much of the 90’s, Pipe played their brand of SST-inspired punk throughout the region, threatening to blow away all other bands on the bill.  They toured with the likes of Archers of Loaf, New Bomb Turks, and Bad Brains, and released a handful of 7″s and three great albums.  Eventually, injuries and line-up changes forced an end to the band before the decade was out.  After being essentially dormant for almost 10 years, the band was asked to play Merge XX in 2009 and played to an ecstatic crowd and a maelstrom of beer cans.  Since then, the original line-up of the band (Ron Liberti, Mike Kenlan, Dave Alworth, and Chuck Garrison), has slowly lurched toward becoming an active concern and not just a reunion act, playing with increasing frequency, adding new songs to the setlist, and even heading out for a weekend tour to New York and Boston with Archers of Loaf last spring.

When trying to pick bands at a festival as broad and eclectic as Hopscotch, it’s tempting to skip local bands in favor of a bigger name down the street.  This Pipe set, in a packed, sweaty, narrow bar, appropriately named Slim’s, shows why skipping the locals can be a mistake.

This set was recorded with Countryman B3 omnidirectional microphones mounted on the ceiling, near the speakers and above the crowd, and it a great representation of what it is was like to be packed near the front of the stage doding drinks, elbows, and guitars.  Enjoy!”

Stream “You’re Soaking In It”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Check out all of NYCTaper’s Hopscotch Festival recordings

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pipe
2012-09-07
Hopscotch Music Festival
Slim’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by David Schwentker
Microphones courtesy of Dan Schram

Countryman B3>Church Audio CA-9100>Olympus LS-10>24bit/48kHz WAV>Audacity (mix down, tracking, amplify)>Trader’s Little Helper>FLAC ( level 8 )

Tracks
01 intro
02 Venable
03 Human Gutterball
04 Kirk’s Floor
05 Bug Boy
06 Backstroke
07 You’re Soaking In It
08 Bender
09 Ashtray
10 Breakfast In Veronica
11 Bowling For Fuckers
12 Submariner
13 Little Black Lies

If you enjoyed this recording, PLEASE SUPPORT Pipe, like them on Facebook, and buy their records from Merge Records [HERE] and Demonbeach [HERE]

Death Blues: September 4, 2012 Glasslands – FLAC/MP3/Streaming

September 20, 2012
By


[Photos by acidjack]

Death Blues is the new project from the hypertalented drummer and percussionist Jon Mueller, who has joined a new cast of players to make some seriously inspired math/post-rock. Mueller’s bio includes work with members of Swans, Wilco, and Bon Iver; helping to found the bands Pele, Collections of Colonies of Bees and Volcano Choir; and work with Rhys Chatham, James Plotkin and many others. The level of output represented by his discography would be humbling to most musicians.

So enter Death Blues and their inaugural NYC show, which took place at Glasslands, possibly the best place in this city for such things. Death Blues incorporates Mueller’s relentless percussion with hammered guitars, a trio of vocalists, an upright bass, and additional percussion. The result is a melodic but gripping live experience, with the throat-singing of the vocalists carrying over Mueller’s polyrhythmic drumming. The nearest guidepost sound-wise here is probably late 80s/early 90s acts like Slint and June of 44, but with less commitment to traditional song structure. This five-song set of mostly-extended numbers (including the 14+ minute centerpiece, “Death Blues”) gave the Glasslands crowd a preview of what this group will be delivering with its forthcoming Hometapes debut, Death Blues. We can’t wait to see what else Mueller has in store.

We saw Death Blues play the Hopscotch Music Festival in Raleigh, North Carolina a few days later, and we hope to have a recording of that set from the person who recorded it available to share as well soon.

I recorded this set with Naiant X-X omnidirectional mics at the lip of the stage, plus a flawless soundboard feed by Josh, the house engineer.  The sound is outstanding, and one of my finest recordings of the year. Enjoy!

Stream “Impatience:

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

 

Death Blues
2012-09-04
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-X (3ft split onstage A-B) + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks
01 Impatience
02 [tuning]
03 Death Blues
04 Acceptance
05 Impermanence
06 Iron String

If you enjoyed this recording, PLEASE SUPPORT Death Blues, visit their website, follow them on Twitter, and purchase Death Blues when it becomes available from Hometapes later this year.

SUPPORT NYCTaper




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